Snowball sampling
From Copyright EVIDENCE
Snowball sampling is a quantitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (13):
Citation | |
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Aguilar (2017) | Aguilar, A. (2017) Distributed Ownership in Music: Between Authorship and Performance. Social & Legal Studies, 27(6), pp776-798 |
Aufderheide et al. (2013) | Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6) |
Dootson and Suzor (2015) | Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38. |
Erickson and Kretschmer (2019) | Erickson, K. And Kretschmer, M. (2019) Empirical Approaches to Intermediary Liability in THE OXFORD HANDBOOK OF INTERMEDIARY LIABILITY ONLINE (ed. Giancarlo Frosio), Oxford University Press, Forthcoming |
Ilevbare (2008) | ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129. |
La Diega (2019) | La Diega, G.N. (2019) Can the law fix the problems of fashion? An empirical study on social norms and power imbalance in the fashion industry. Journal of Intellectual Property Law & Practice, 14(1), pp18-24 |
Liebowitz and Margolis (2005) | Liebowitz, S. J., & Margolis, S. E. (2005). Seventeen famous economists weigh in on copyright: The role of theory, empirics, and network effects. Harvard Journal of Law and Technology, 18(2). |
Merz (2005) | Merz, J. F. (2005). Intellectual Property and Product Development Public/Private Partnerships. Intellectual Property and Product Development Public/Private Partnerships. |
Schofield and Urban (2015) | Schofield B. L. and Urban J. M. Takedown and Today's Academic Digital Library (2015) UC Berkeley Public Law Research Paper No. 2694731. |
Searle (2011) | Searle, N., 2011. Changing Business Models in the Creative Industries: The cases of Television, Computer Games and Music. Computer Games and Music (August 5, 2011). |
Sibley (2014) | Sibley, J. (2014) Promoting Progress: A Qualitative Analysis of Creative and Innovative Production, in The SAGE Handbook of Intellectual Property (SAGE Publications, 2014), p. 515 |
Sinclair and Green (2016) | Sinclair, G and Green, T (2018) Download or stream? Steal or buy? Developing a typology of today's music consumer. Journal of Consumer Behaviour, 15(1), pp 3 - 14 |
Urban, Karaganis and Schofield (2017a) | Urban, J.M., Karaganis, J. And Schofield, B.L. (2017) Notice and takedown: online service provider and rightsholder accounts of everyday practice. 64 J. Copyright Soc’y 371. |