Snowball sampling

Methods

Methodology (Collection) Quantitative Collection Methods (309) Survey Research (quantitative; e.g. sales/income reporting) (291) Experimental (Laboratory) (20) Experimental (Field) (11) Experimental (Natural) (15) Web analytic (online user trace data) (91) Quantitative data/text mining (158) Longitudinal Study (29) Snowball sampling (15) Qualitative Collection Methods (283) Survey Research (qualitative; e.g. consumer preferences) (183) Case Study (102) Ethnography (16) Life History (2) Unstructured Interview (15) Semi-Structured Interview (122) Structured Interview (27) Archival Research (17) Focus Groups (20) Historical Methods (9) Card Sorting (0) Document Research (78) Qualitative content/text mining (75) Visual Ethnography (0) Participant Observation (13)

Methodology (Analysis) Quantitative Analysis Methods (309) Cluster analysis (26) Descriptive statistics (counting; means reporting; cross-tabulation) (318) Quantitative content analysis (e.g. text or data mining) (117) Correlation and Association (168) Multivariate Statistics (91) Regression Analysis (245) Social Network Analysis (6) Social Sequence Analysis (0) Structural Equation Modeling (61) Meta-Analysis (6) Calibration (1) Confirmatory Factor Analysis (CFA) (15) Factor Analysis (17) Decision Tree Method (3) Qualitative Analysis Methods (235) Textual Content Analysis (140) Visual / Other Content Analysis (9) Discourse Analysis (35) Qualitative Coding / Sorting (e.g. of interview data) (138) Ethnographic/narrative analysis (20) Triangulation (3) Legal Analysis (124) Grounded Theory (18) Abduction/Retroduction (1)

Snowball sampling is a quantitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (15):

	Citation
Aguilar (2017)	Aguilar, A. (2017) Distributed Ownership in Music: Between Authorship and Performance. Social & Legal Studies, 27(6), pp776-798
Aufderheide et al. (2013)	Aufderheide, P., Jaszi, P., Bieze, K. and Boyles, J. (2013) Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use. Journalism Studies, 14(6)
Butler, Aufderheide, Jaszi and Cox (2019)	Butler, B., Aufderheide, P., Jaszi, P., & Cox, K. (2019). Cracking the Copyright Dilemma in Software Preservation: Protecting Digital Culture through Fair Use Consensus? Journal of Copyright in Education and Librarianship, 3(3), 1-23.
Dootson and Suzor (2015)	Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38.
Erickson and Kretschmer (2019)	Erickson, K. And Kretschmer, M. (2019) Empirical Approaches to Intermediary Liability in THE OXFORD HANDBOOK OF INTERMEDIARY LIABILITY ONLINE (ed. Giancarlo Frosio), Oxford University Press, Forthcoming
Ilevbare (2008)	ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129.
Liebowitz and Margolis (2005)	Liebowitz, S. J., & Margolis, S. E. (2005). Seventeen famous economists weigh in on copyright: The role of theory, empirics, and network effects. Harvard Journal of Law and Technology, 18(2).
Merz (2005)	Merz, J. F. (2005). Intellectual Property and Product Development Public/Private Partnerships. Intellectual Property and Product Development Public/Private Partnerships.
Noto La Diega (2019)	Noto La Diega, G. (2019) Can the law fix the problems of fashion? An empirical study on social norms and power imbalance in the fashion industry. Journal of Intellectual Property Law & Practice, 14(1), pp18-24
Schofield and Urban (2015)	Schofield B. L. and Urban J. M. Takedown and Today's Academic Digital Library (2015) UC Berkeley Public Law Research Paper No. 2694731.
Searle (2011)	Searle, N., 2011. Changing Business Models in the Creative Industries: The cases of Television, Computer Games and Music. Computer Games and Music (August 5, 2011).
Silbey (2014b)	Sibley, J. (2014) Promoting Progress: A Qualitative Analysis of Creative and Innovative Production, in The SAGE Handbook of Intellectual Property (SAGE Publications, 2014), p. 515
Sinclair and Green (2016)	Sinclair, G and Green, T (2018) Download or stream? Steal or buy? Developing a typology of today's music consumer. Journal of Consumer Behaviour, 15(1), pp 3 - 14
Sinha et al. (2023)	Sinha, P., Kumari, M., & Amees, M. (2023). Information seeking, sharing behaviour, and copyright violations among students in India in the digital age. Global Knowledge, Memory and Communication.
Urban, Karaganis and Schofield (2017a)	Urban, J.M., Karaganis, J. And Schofield, B.L. (2017) Notice and takedown: online service provider and rightsholder accounts of everyday practice. 64 J. Copyright Soc’y 371.