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From Copyright EVIDENCE
| Citation | |
|---|---|
| Erickson, Heald, Homberg, Kretschmer and Mendis (2015) | Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper. |
| Erickson, Kretschmer and Mendis (2013) | Erickson, K., Kretschmer, M., & Mendis, D. (2013). Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the YouTube Platform and an Assessment of the Regulatory Options. Intellectual Property Office Research Paper, (2013/24). |
| Fietkiewicz (2020) | Fietkiewicz K.J. (2020) The Law of Live Streaming: A Systematic Literature Review and Analysis of German Legal Framework. In: Meiselwitz G. (eds) Social Computing and Social Media. Design, Ethics, User Behavior, and Social Network Analysis. HCII 2020. Lecture Notes in Computer Science, vol 12194. Springer, Cham. pp. 227-242 |
| Frank N. Magid Associates (2009) | Frank, N. Magid Associates. 2009. Introducing Hollywood’s best customers: Vuze user vs. general internet: Comparative data. |
| Gasser (2004) | Gasser, U. (2004) iTunes: How Copyright, Contract, and Technology Shape the Business of Digital Media – a Case Study. Berkman Center for Internet & Society at Harvard Law School Research Publication No. 2004-07 |
| Geradin (2005) | Geradin, Damien. Access to content by new media platforms: a review of the competition law problems. European Law Review, February (2005). |
| Gopal, Bhattacharjee and Sanders (2006) | Gopal, R. D., Bhattacharjee, S., & Sanders, G. L. (2006). Do Artists Benefit from Online Music Sharing?*. The Journal of Business, 79(3), 1503-1533. |
| Guibault, Westkamp and Rieber-Mohn (2007) | Guibault et al., Study on the Implementation and Effect in Member States’ Laws of Directive 2001/29/EC on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society (2007) |
| Hammond (2012) | Hammond, R. G. (2012). Profit leak? pre-release file sharing and the music industry supplementary appendix. |
| Handke (2012b) | Handke, C. (2012). Digital copying and the supply of sound recordings. Information Economics and Policy, 24(1), 15-29. |
| Handke (2015) | Handke, C. (2015). Digitization and Competition in Copyright Industries: One Step Forward and Two Steps Back?. Homo Oeconomicus, 32. |
| Heald (2015) | Heald, P. J. (2015). How notice-and-takedown regimes create markets for music on YouTube: An empirical study. In Concepts of Music and Copyright: How Music Perceives Itself and How Copyright Perceives Music (pp. 195-209). Edward Elgar Publishing Ltd.. https://doi.org/10.4337/9781783478194.00013 |
| Heald, Erickson and Kretschmer (2015) | Heald, P. J., Kretschmer, M., & Erickson, K. (2015). The Valuation of Unprotected Works: A Case Study of Public Domain Photographs on Wikipedia. Available at SSRN. |
| Higgins and Makin (2004) | Higgins, G. E. and Makin, D. A. 2004. Self-Control, Deviant Peers, and Software Piracy Psychological Reports, 95, 921-931. |
| Higgins, Fell and Wilson (2007) | Higgins, G. E., Fell, B. D., & Wilson, A. L. (2007). Low self-control and social learning in understanding students' intentions to pirate movies in the United States. Social Science Computer Review, 25(3), 339-357. |
| Higgins, Marcum, Freiburger and Ricketts (2012) | Higgins, G. E., Marcum, C. D., Freiburger, T. L. and Ricketts, M. L. 2012. Examining the Role of Peer Influence and Self-Control on Downloading Behavior. Deviant Behavior, 33, 412-423. |
| Higgins, Wolfe and Marcum (2008) | Higgins, G. E., Wolfe, S. E. and Marcum, C. D. 2008. Digital piracy: An Examination of Three Measurements of Self-Control. Deviant Behavior, 29, 440-460. |
| Hong (2007) | Hong, S. H. (2007). The recent growth of the internet and changes in household-level demand for entertainment. Information Economics and Policy, 19(3), 304-318. |
| Hui and Png (2002) | Hui, K.-L., and I.P .L. Png. 2002. “On the Supply of Creative Work: Evidence from the Movies”. The American Economic Review 92(2);217-220 |
| Hui and Png (2003) | Hui, K. L., & Png, I. (2003). Piracy and the legitimate demand for recorded music. Contributions in Economic Analysis & Policy, 2(1). |
| IHS Technology (2015) | IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015) |
| Joeng and Lee (2010) | Jeong, G., and J . Lee. 2010. “Estimating Consumer Preferences for Online Music Services”. Applied Economics 42(30); 3885-3893. |
| Johnson, Gibson, and Dimita (2012) | P. Johnson, J. Gibson, G. Dimita, What Are Words Worth Now: A survey of Authors’ Earnings, London: ALCS (2014). |
| Kim (2007) | Kim, M. (2007). The Creative Commons and Copyright Protection in the Digital Era: Uses of Creative Commons Licenses. Journal of Computer‐Mediated Communication, 13(1), 187-209. |
| Kinnally, Lacayo, Mcclung and Sapolsky (2008) | Kinnally, W., Lacayo, A., McClung, S., & Sapolsky, B. (2008). Getting up on the download: college students' motivations for acquiring music via the web. New Media & Society, 10(6), 893-913. |
| Kretschmer and Hardwick (2007) | Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). Available at SSRN 2619649 |
| Kretschmer and Peukert (2017) | Kretschmer, T. And Peukert, C. (2017) Video Killed the Radio Star? Online Music Videos and Recorded Music Sales. CEP Discussion Paper No 1265. |
| Kretschmer, Derclaye, Favale and Watt (2010) | Kretschmer, M., Derclaye, E., Favale, M., & Watt, R. (2010). A Review commissioned by the UK Strategic Advisory Board for Intellectual Property Policy (SABIP). Available at SSRN 2624945 |
| Kwong and Park (2008) | Kwong, S. W., & Park, J. (2008). Digital music services: consumer intention and adoption. The service industries journal, 28(10), 1463-1481. |
| Lee (2006) | Lee, S. (2006, August). The Effect of File sharing on Consumer’s Purchasing Pattern: A Survey Approach. TPRC. |
| Lee (2012) | Lee, D. J. (2012). Precarious Creativity: Changing Attitudes Towards Craft and Creativity in the British Independent Television Production Sector. Creative Industries Journal, 4(2), 155-170 |
| Leung (2012) | Leung, T. C. (2015). Music piracy: Bad for record sales but good for the iPod?. Information Economics and Policy, 31, 1-12. |
| Liebowitz (2008) | Liebowitz, S. J. (2008). Testing file-sharing's impact by examining record sales in cities. Management Science, 54(4), 852-859. |
| Liebowitz (2008a) | Liebowitz, S.J. (2008) Is the Copyright Monopoly a Best-Selling Fiction? Technology Policy Working Paper, September 2008 |
| Liebowitz and Watt (2006) | Liebowitz, S. J., & Watt, R. (2006). How to best ensure remuneration for creators in the market for music? Copyright and its alternatives. Journal of Economic Surveys, 20(4), 513-545. |
| Lindgren (2012) | Lindgren, Simon. Pirate panics: comparing news and blog discourse on illegal file sharing in Sweden. Information, communication & society 16.8 (2013): 1242-1265. |
| Lunney, Jr. (2014) | Lunney Jr, G. S. (2014). Empirical Copyright: A Case Study of File Sharing and Music Output. Tulane Public Law Research Paper, (14-2). |
| Mandel and Suessmuth (2012) | Mandel, P. and Suessmuth, B. 2012. Determinants of Digital Piracy: A Re-Examination of Results. Jahrbucher Fur Nationalokonomie Und Statistik, 232, 394-413. |
| Martikainen (2011) | Martikainen, E. (2014). Does file-sharing reduce DVD sales?. Netnomics: Economic Research and Electronic Networking, 15(1), 9-31. |
| Marvasti (2000) | Marvasti, A. (2000). Motion pictures industry: Economies of scale and trade. International Journal of the Economics of Business, 7(1), 99-114. |
| Mateus and Peha (2011) | Mateus, A. M., & Peha, J. M. (2011, September). Quantifying Global Transfers of Copyrighted Content using BitTorrent. TPRC. |
| Max Planck Institute (2013) | Copyright, Competition and Development, Max Planck Institute (2013). |
| McKenzie (2009) | McKenzie, Jordi. (2009). Illegal music downloading and its impact on legitimate sales: Australian empirical evidence. Australian Economic Papers, 48(4), 296-307. |
| Mendis (2013) | Mendis, D. (2013). The Clone Wars’: Episode 1: the rise of 3D printing and its implications for intellectual property law. Learning lessons from the past. European Intellectual Property Review, 35(3), 155-169. |
| Michel (2005) | Michel, N. J. (2005). Digital File Sharing and the Music Industry: Was There a Substitution Effect?. Review of Economic Research on Copyright Issues, 2(2), 41-52. |
| Michel (2006) | Michel, N. J. (2006). The impact of digital file sharing on the music industry: An empirical analysis. Topics in Economic Analysis & Policy, 6(1). |
| Montoro-Pons and Cuadrado-García (2008) | Montoro Pons, J. D., & García, M. C. (2008). Legal origin and intellectual property rights: an empirical study in the prerecorded music sector. European Journal of Law and Economics, 26(2), 153-173. |
| Moores and Esichaikul (2011) | Moores, T. T., & Esichaikul, V. (2011). Socialization and software piracy: A study. Journal of Computer Information Systems, 51(3), 1. |
| Morris and Higgins (2009) | Morris, R. G. and Higgins, G. E. 2009. Neutralizing Potential and Self-Reported Digital Piracy: A Multitheoretical Exploration Among College Undergraduates. Criminal Justice Review, 34, 173-195. |
| Morris and Higgins (2010) | Morris, R. G., & Higgins, G. E. (2010). Criminological theory in the digital age: The case of social learning theory and digital piracy. Journal of Criminal Justice, 38(4), 470-480. |
