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Intellectual Property Office (2015a)Intellectual Property Office (2015). Unjustified threats on intellectual property rights: Government Response.
Intellectual Property Office (2015b)Intellectual Property Office (2015). Government response to the consultation on reducing the duration of copyright in certain unpublished works.
Intellectual Property Office (2015c)Intellectual Property Office, Intellectual Property Awareness Study (2015)
Intellectual Property Office (2016a)Intellectual Property Office (2016), Unjustified threats on intellectual property rights: Government Response
Intellectual Property Office (2016b)Intellectual Property Office (2016), Government Response to the further consultation and technical review on changes to Section 72 of the Copyright, Designs and Patents Act 1988 (which permits the free public showing or playing of a film contained in a broadcast).
Intellectual Property Office (2018)Intellectual Property Office (2018) Copyright term extension for sound recordings Post-Implementation Review
Kantar Media (2015)Kantar Media (2015). Online Copyright Infringement Tracker Wave 5 (Covering period Mar 15 – May 15). Overview and key findings.
Kheria (2012)Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19).
Kheria (2013)Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4).
Korn (2009)Korn, N., In from the Cold: An assessment of the scope of ‘Orphan Works’ and its impact on the delivery of services to the public (April 2009).
Lerner (2002)Lerner, J. (2002). Patent protection and innovation over 150 years (No. w8977). National Bureau of Economic Research.
Mandel, Olson and Fast (2019)Mandel, G.N., Olson, K. & Fast, A. (2019) Debunking Intellectual Property Myths: Cross-Cultural Experiments on Perceptions of Property. Temple University Legal Studies Research Paper No. 2019-19
Max Planck Institute (2013)Copyright, Competition and Development, Max Planck Institute (2013).
Morrison and Secker (2015)Morrison, C. and Secker, J., 2015. Copyright Literacy in the UK: a survey of librarians and other cultural heritage sector professionals. Library and Information Research, 39(121), pp.75-97.
Netanel (2011)Netanel, N. W. (2011). Making sense of fair use. Lewis & Clark L. Rev., 15, 715.
OHIM (2015)OHIM (2015). Intellectual Property And Education In Europe. Study On IP Education In School Curricula In The EU Member States With Additional International Comparisons.
Ofcom (2012)OFCOM, Online copyright infringement tracker benchmark study Q3 2012, 2012
Ofcom - Kantar Survey (2013)OFCOM, Online Copyright Infringement Tracker Wave 3, 2013.
Office of the United States Trade Representative (2015)Representative, U. T. (2015). Special 301 report. online: https://ustr.gov/sites/default/files/2015-Special-301-Report-FINAL.pdf.
Oliar and Sprigman (2009)Oliar, D., & Sprigman, C. (2008). There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy. Virginia Law Review, 1787-1867.
Picard, Toivonen and Grönlund (2003)Picard et al., The Contribution of Copyright and Related Rights to the European Economy, (2003)
Poole (2010)Poole, N. (2010). The Cost of Digitising Europe’s Cultural Heritage A Report for the Comité des Sages of the European Commission.
PricewaterhouseCoopers (2008)Making the Intangible Tangible: The Economic Contribution of Australia's Copyright Industries, PricewaterhouseCoopers, http://web.archive.org/web/20101206161639/http://www.copyright.org.au/admin/cms-acc1/_images/13730910374c97f6ba497bf.pdf (2008).
PricewaterhouseCoopers (2015)The Economic Contribution of Australia's Copyright Industries 2002-2014, PricewaterhouseCoopers (2015)
PricewaterhouseCoopers (2016)PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016.
Public and Corporate Economic Consultants (2013)Orphan Works in the UK and Overseas, Public and Corporate Economic Consultants (2013), available at https://www.gov.uk/government/publications/orphan-works-in-the-uk-and-overseas.
Quintais, De Gregorio and Magalhaes (2023)Quintais, J. P., De Gregorio, G., & Magalhães, J. C. (2023). How platforms govern users’ copyright-protected content: Exploring the power of private ordering and its implications. Computer Law & Security Review, 48.
Reda (2015)Reda, J., Draft Report on the Implementation of Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society, Committee on Legal Affairs, European Parliament (2014/2256(INI)).
Ricketson (2003)Ricketson, S., WIPO Study on Limitations and Exceptions of Copyright and Related Rights in the Digital Environment (2003) SCCR/9/7.
Seng (2009)Seng, D. (2009). WIPO study on the copyright exceptions for the benefit of educational activities for Asia and Australia. Geneva: WIPO. Retrieved, 13(07), 2010.
Smith and Telang (2012)Smith, M.D. and Telang, R., 2012. Assessing the academic literature regarding the impact of media piracy on sales. Available at SSRN 2132153.
Stannard (2015)Stannard, E. (2015). A Copyright Snapshot: the Impact of New Copyright Legislation on Information Professionals. Legal Information Management, 15(04), 233-239.
Stobo, Deazley and Anderson (2013)Stobo, V., Deazley, R. and Anderson, I., 2013. Copyright & Risk: Scoping the Wellcome Digital Library Project (Vol. 10, pp. 17-23). CREATe Working Paper.
Teece (1986)Teece, D. (1986). Profiting from technological innovation: Implications for integration, collaboration, licensing and public policy. Research policy, 15(6), p. 285-305.
Tor and Oliar (2002)Tor, A., & Oliar, D. (2002). Incentives to Create Under a Lifetime-Plus-Years Copyright Duration: Lessons from a Behavioral Economic Analysis for Eldered v. Ashcroft. Loy. LAL Rev., 36, 437.
Towse (2015)Towse, Ruth. "Copyright and Business Models in UK Music Publishing."
Troll Covery (2005)Troll Covey, D., 2005. Acquiring copyright permission to digitize and provide open access to books
United States Copyright Office (2011)Satellite Extension and Localism Act (STELA), Section 302 Report, United States Copyright Office (2011), available at http://copyright.gov/reports/section302-report.pdf.
United States Copyright Office (2013a)Resale Royalties: An Updated Analysis, United States Copyright Office (2013), available at http://copyright.gov/docs/resaleroyalty/usco-resaleroyalty.pdf.
United States Copyright Office (2013b)Copyright Small Claims, United States Copyright Office (2013), available at http://copyright.gov/docs/smallclaims/usco-smallcopyrightclaims.pdf.
United States Copyright Office (2015a)Copyright and the Music Marketplace, United States Copyright Office (2015), available at http://copyright.gov/docs/musiclicensingstudy/copyright-and-the-music-marketplace.pdf.
United States Copyright Office (2015b)Orphan Works and Mass Digitization, United States Copyright Office (2015), available at http://copyright.gov/orphan/reports/orphan-works2015.pdf.
Vetulani (2008)Vetulani, A. (2008). ’The Problem of Orphan Works in the EU–an overview of legislative solutions and main actions in this field. Rapport for European Commission, DG Information Society and Media, Unit E, 4.
Vuopala (2010)Vuopala, A., 2010. Assessment of the Orphan works issue and Costs for Rights Clearance. European Commission, DG Information Society and Media, Unit E, 4.
Waelde and MacQueen (2004)Waelde C. and MacQueen H., From entertainment to education: the scope of copyright? (2004) Intellectual Property Quarterly
Waelde and Schlesinger (2011)Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?.
Wang and Zhu (2003)Wang, Shujen, and Jonathan JH Zhu. Mapping film piracy in China. Theory, culture & society 20.4 (2003): 97-125.
World Intellectual Property Organization (2010)WIPO Secretariat, Standing Committee on Copyright and Related Rights. Updated Report on the Questionnaire on Limitations and Exceptions (2010)
World Intellectual Property Organization (2014)WIPO Studies on the Economic Contribution of the Copyright Industries, World Intellectual Property Organization (2014).