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From Copyright EVIDENCE
| Citation | |
|---|---|
| Schofield and Urban (2015) | Schofield B. L. and Urban J. M. Takedown and Today's Academic Digital Library (2015) UC Berkeley Public Law Research Paper No. 2694731. |
| Serrano et al. (2019) | Serrano, S.C., Aviles, R.A., Cuenca, G.M., and Calvo, B.S. (2019) Orphan Works at Theatre Library and Information Centres: Assessing Librarians' Perceptions and Management in Spain. The Journal of Academic Librarianship, 45(1), pp 58-65. |
| Stobo, Deazley and Anderson (2013) | Stobo, V., Deazley, R. and Anderson, I., 2013. Copyright & Risk: Scoping the Wellcome Digital Library Project (Vol. 10, pp. 17-23). CREATe Working Paper. |
| Stobo, Erickson, Bertoni and Guerrieri (2018) | Stobo, V., Erickson, K., Bertoni, A. And Guerrieri, F. (2018) Current Best Practices among Cultural Heritage Institutions when Dealing with Copyright Orphan Works and Analysis of Crowdsourcing Options. Report. diligentsearch.eu |
| Stobo, Patterson, Erickson and Deazley (2018) | Stobo, V., Patterson, K., Erickson, K., and Deazley, R. (2018) ‘I should like you to see them some time': an empirical study of copyright clearance costs in the digitisation of Edwin Morgan's scrapbooks. Zenodo. http://doi.org/10.5281/zenodo.1305167 |
| Tanner (2004) | Tanner, S. (2004) Reproduction charging models & rights policy for digital images in American art museums. Mellon Foundation Study. <http://msc.mellon.org/msc-files/Reproduction%20charging%20models%20and%20rights%20policy.pdf> (accessed 6 January 2022) |
| Todorova et al. (2017) | Tania Yordanova Todorova, Serap Kurbanoglu, Joumana Boustany, Güleda Dogan, Laura Saunders,Aleksandra Horvat, Ana Lúcia Terra, Ane Landøy, Angela Repanovici, Chris Morrison, Egbert J.Sanchez Vanderkast, Jane Secker, Jurgita Rudzioniene, Terttu Kortelainen, Tibor Koltay, (2017) Information professionals and copyright literacy: a multinational study. Library Management, 38(6/7), pp.323-344 |
| Troll Covery (2005) | Troll Covey, D., 2005. Acquiring copyright permission to digitize and provide open access to books |
| United States Copyright Office (2013a) | Resale Royalties: An Updated Analysis, United States Copyright Office (2013), available at http://copyright.gov/docs/resaleroyalty/usco-resaleroyalty.pdf. |
| Vetulani (2008) | Vetulani, A. (2008). ’The Problem of Orphan Works in the EU–an overview of legislative solutions and main actions in this field. Rapport for European Commission, DG Information Society and Media, Unit E, 4. |
| Vuopala (2010) | Vuopala, A., 2010. Assessment of the Orphan works issue and Costs for Rights Clearance. European Commission, DG Information Society and Media, Unit E, 4. |
| Wallace (2022) | Wallace, A. (2022). A Culture of Copyright: A scoping study on open access to digital cultural heritage collections in the UK. Zenodo. https://doi.org/10.5281/zenodo.6242611 |
| Wallace and Deazley (2016) | Wallace, A. and Deazley, R. (2016) Display At Your Own Risk <https://displayatyourownrisk.org> (accessed 6 January 2021) |
| Zerkee (2016) | Zerkee, J. (2016). Approaches to copyright education for faculty in Canada. Partnership: The Canadian Journal of Library and Information Practice and Research, 11(2). |
