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From Copyright EVIDENCE
Buccafusco and Heald (2012)Buccafusco, C., & Heald, P. J. (2012). Do Bad Things Happen When Works Enter the Public Domain: Empirical Tests of Copyright Term Extension. Berkeley Tech. LJ, 28, 1.
Buccafusco and Masur (2013)Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275.
Buxmann, Pohl, Johnscher and Strube (2005)Buxmann, P., Pohl, G., Johnscher, & P., Strube, J. (2005). Strategies for digital music markets: Pricing and the effectiveness of measures against pirate copies. Wirtschaftsinformatik, 47(2), 118-125.
Camerani, Grassano, Chavarro and Tang (2013)Camerani, R., Grassano, N., Chavarro, D. & Tang, P. (2013) Private Copying, IPO, 2013
Cameron and Bazelon (2013)Cameron, L., & Bazelon, C. (2013). The impact of digitization on business models in copyright driven industries: a review of economic issues. Brattle Groupe paper prepared for the US National Research Council, available at:
Carpou (2016)Carpou, Z. (2016) Robots, Pirates and the Rise of the Automated Takedown Regime: Using the DMCA to Fight Piracy and Protect End-Users. 39 Colum J.L. & Arts 551.
Carrier (2012)Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876
Cenite, Wang, Peiwen and Chan (2009)Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221.
Centre for Intellectual Property and Information Law (2006)Centre for intellectual property and information law. (2006). Review of the Economic Evidence Relating to an Extension of the Term of Copyright in Sound Recordings. University of Cambridge
Charles River Associates (2013)Assessing the Economic Impacts of Adapting Certain Limitations and Exceptions to Copyright and Related Rights in the EU, Charles River Assoc., (2013), available at
Charles River Associates (2014)Charles River Associates, Economic Analysis of the Territoriality of the Making Available Right in the EU (2014).
Cheliotis (2007)Cheliotis, G. (2007). Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities.
Chen and Yen (2011)Chen, M. F. and Yen, Y. H. 2011. Costs and Utilities Perspective of Consumers' Intentions to Engage in Online Music Sharing: Consumers' Knowledge Matters. Ethics & Behavior, 21(4), 283-300.
Chen, Shang and Lin (2008)Chen, Y. C., Shang, R. A., & Lin, A. K. (2008). The intention to download music files in a P2P environment: Consumption value, fashion, and ethical decision perspectives. Electronic Commerce Research and Applications, 7(4), 411-422.
Chiang and Assane (2007)Chiang, E. P., & Assane, D. (2007). Determinants of Music Copyright Violations on the University Campus. Journal of Cultural Economics, 31(3), 187-204.
Chiang and Assane (2008)Chiang, E. P., & Assane, D. (2008). Music piracy among students on the university campus: Do males and females react differently?. The Journal of Socio-Economics, 37(4), 1371-1380.
Chiang and Assane (2009)Chiang, E. P., & Assane, D. (2009). Estimating the willingness to pay for digital music. Contemporary Economic Policy, 27(4), 512-522.
Chiou, Cheng and Huang (2011)Chiou, J. S., Cheng, H. I., & Huang, C. Y. (2011). The effects of artist adoration and perceived risk of getting caught on attitude and intention to pirate music in the United States and Taiwan. Ethics & Behavior, 21(3), 182-196.
Chiou, Huang and Lee (2005)Chiou, J. S., Huang, C. Y., & Lee, H. H. (2005). The antecedents of music piracy attitudes and intentions. Journal of Business Ethics, 57(2), 161-174.
Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014)Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights.
Commission of the European Communities (2005b)Study on a Community Initiative on the Cross-border Collective Management of Copyright, Commission of the European Communities (2005), available at
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Cornwell (2017)Cornwell, J. (2017) Intellectual Property Litigation at the Court of Session: A First Empirical Investigation. Edinburgh Law Review, Volume 21, Issue 2, pp192-216.
Corporate Europe Observatory (2018)Corporate Europe Observatory (2018) Copyright Directive: how competing big business lobbies drowned out critical voices. Available via: (last accessed: 7 June 2019)
Cotropia and Gibson (2014)Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7).
Cox, Collins and Drinkwater (2010)Cox, J., Collins, A. and Drinkwater, S. 2010. Seeders, Leechers and Social Norms: Evidence From the Market for Illicit Digital Downloading. Information Economics and Policy, 22, 299-305.
Coyle, Gould, Gupta and Gupta (2009)Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037.
Cronan and Al-Rafee (2008)Cronan, T. P., & Al-Rafee, S. (2008). Factors that influence the intention to pirate software and media. Journal of Business Ethics, 78(4), 527-545.
Cuntz (2020)Cuntz, A. (2020) Grand rights and opera reuse today. WIPO Economic Research Working Paper No.62
D'Astous, Colbert and Montpetit (2005)d’Astous, A., Colbert, F., & Montpetit, D. (2005). Music piracy on the web–how effective are anti-piracy arguments? Evidence from the theory of planned behaviour. Journal of Consumer Policy, 28(3), 289-310.
Danahar, Smith and Teland (2015)Danaher, B., Smith, M., Teland, R.,'Copyright Enforcement in the Digital Age: Empirical Evidence and Conclusions', WIPO/ACE/10/20, 2015
Danaher et al. (2019)Danaher, Brett and Hersh, Jonathan Samuel and Smith, Michael D. and Telang, Rahul, The Effect of Piracy Website Blocking on Consumer Behavior (August 13, 2019). Available at SSRN: or
Danaher, Smith, Telang and Chen (2012)Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553.
Dang Nguyen, Dejean and Moreau (2012)Dang Nguyen, G., Dejean, S., & Moreau, F. (2012). Are streaming and other music consumption modes substitutes or complements?.
Danna, Martinelli and Nuvolari (2021)Danna, R.; Martinelli, A. and Nuvolari, A. (2021) D4.6. Interim report on negative space of EU creative industries <> (Zenodo 5 July 2021) last accessed 7 December 2021
De Beer and Bouchard (2010)De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215.
De Wolf and Partners (2013)Triaille, J.P., Dusollier, S., Depreeuw, S., Hubin, J.B. and De Francquen, A., 2013. Study on the application of Directive 2001/29/EC on copyright and related rights in the information society. InfoSoc Directive.
De Wolf and Partners (2014b)Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014).
Denegri-Knott (2004)Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00.
Depoorter (2019)Depoorter, B. (2019) Copyright Enforcement in the Digital Age: When the Remedy is the Wrong. 66 UCLA L. Rev. 400
Depoorter and Vanneste (2006)Depoorter, B. and Vanneste, S., 2006. Norms and enforcement: The case against copyright litigation. Oregon Law Review, 84(4), p.1127.
Depoorter and Walker (2013)Depoorter, B. and Walker, R.K., 2013. Copyright false positives.
Depoorter, Van Hiel and Vanneste (2011)Depoorter, B., Vanneste, S., & Van Hiel, A. (2011). Copyright Backlash. Southern California Law Review, 84.
DiCola (2013)DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301.
DiCola and Touve (2014)DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright.
Digital, Culture, Media and Sport Committee (2021)DCMS (2021) Economics of Music Streaming. House of Commons
Dobusch and Quack (2013)Dobusch, L., & Quack, S. (2013). Framing standards, mobilizing users: Copyright versus fair use in transnational regulation. Review of International Political Economy, 20(1), 52-88.
Domon, Melcarne and Ramello (2019)Domon, K., Melcarne, A. And Ramello, B. (2019) Digital piracy in Asian countries. Journal of Industrial and Business Economics, 46(1), pp. 117 - 135
Dusollier (2010)Dusollier, S., WIPO (2010) CDIP/4/3/REV./STUDY/INF/1.
EPO and OHIM (2013)EPO and OHIM (2013). Intellectual property rights intensive industries: contribution to economic performance and employment in the European Union.