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Haefliger, Jäger and Von Krogh (2010)Haefliger, S., Jäger, P., & Von Krogh, G. (2010). Under the radar: Industry entry by user entrepreneurs. Research policy, 39(9), 1198-1213.
Hagedoorn and Ridder (2012)Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study.
Heimstädt, Saunderson and Heath (2014)Heimstädt, M., Saunderson, F. and Heath, T. (2014) Conceptualizing Open Data ecosystems: A timeline analysis of Open Data developmentin the UK, Diskussionsbeiträge, No. 2014/12, Freie Universität Berlin, Fachbereich Wirtschaftswissenschaft, Berlin
Heins and Beckles (2005)Heins, M. And Beckles, T. (2005) Will Fair Use Survive? Free Expression in the Age of Copyright Control. A Public Policy Report. Available: https://ncac.org/fepp-articles/will-fair-use-survive-free-expression-in-the-age-of-copyright-control (last accessed 23 May 2019)
Heredia-Carroza, Palma and Aguado (2019)Heredia-Carroza, J., Palma, L. and Aguado, L.F. (2019) Song, Performance and Authorship: The Case of Flamenco in Spain. Trames, 23(73/68), 1, 2-14
Hill (2013)Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action.
Holt and Copes (2010)Holt, Thomas J., and Heith Copes. "Transferring subcultural knowledge on-line: Practices and beliefs of persistent digital pirates." Deviant Behavior 31.7 (2010): 625-654.
Hudson (2020)Hudson, E. (2020) Drafting Copyright Exceptions: From the Law in Books to the Law in Action, Cambridge: Cambridge University Press
Hudson and Kenyon (2007)Hudson, E. and Kenyon, A.T., 2007. Digital Access: The Impact of Copyright on Digitisation Practices in Australian Museums, Galleries, Libraries, and Archives. UNSWLJ, 30, p.12.
Hunt, Williams, Nicholas and Rowlands (2009)Hunt, R., Williams, P., Nicholas, D., & Rowlands, I. (2009). Copycats? Digital consumers in the online age.
IHS Technology (2015)IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015)
Ilevbare (2008)ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129.
Iljadica (2016)Iljadica, M. (2016) Copyright Beyond Law - Regulating Creativity in the Graffiti Subculture, Hart Publishing
Iljadica (2017)Iljadica, M., 'Painting on Walls: Street Art without Copyright?', in Darling, K. and Perzanowski, A. (eds.), Creativity Without Law: Challenging the Assumptions of Intellectual Property, New York University Press, New York, 2017, pp. 277–332.
Kapsalis (2016)Kapsalis, E. (2016) The Impact of Open Access on Galleries, Libraries, Museums, & Archives. Smithsonian Institution Archives <http://siarchives.si.edu/sites/default/files/pdfs/2016_03_10_OpenCollections_Public.pdf> (accessed 6 January 2022)
Katz (2019)Katz, R., (2019). A Pilot Study of Fan Fiction Writer’s Legal Information Behavior. Journal of Copyright in Education and Librarianship, 3(1), 1-29.https://doi.org/10.17161/jcel.v3i1.7697
Khaosaeng (2019)Khaosaeng, K. (2019) The Conflicts between Copyright and the Norms of Online Re-Creations: An Empirical Analysis. ASEAN Journal of Legal Studies, 2(1)
Kheria (2012)Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19).
Konstantakis, Palaigeorgiou, Siozos and Tsoukalas (2010)Konstantakis, N. I., Palaigeorgiou, G. E., Siozos, P. D., & Tsoukalas, I. A. (2010). What do computer science students think about software piracy?. Behaviour & Information Technology, 29(3), 277-285.
Korn (2009)Korn, N., In from the Cold: An assessment of the scope of ‘Orphan Works’ and its impact on the delivery of services to the public (April 2009).
Kretschmer, Klimis, and Wallis (2001)Kretschmer, M., Klimis, G. M., & Wallis, R. (2001). Music in Electronic Markets An Empirical Study. New Media & Society, 3(4), 417-441.
Lee (2011)Lee, H.K., 2011. Participatory media fandom: A case study of anime fansubbing. Media, Culture & Society, 33(8), pp.1131-1147.
Liu (2015)Liu, J. (2015). Copyright for Blockheads: An Empirical Study of Market Incentive and Intrinsic Motivation. Columbia Journal of Law & the Arts, Forthcoming. Available at SSRN: https://ssrn.com/abstract=2633263
Mathangani and Otike (2018)Mathangani, S.W. and Otike, J. (2018) Copyright and information service provision in public university libraries in Kenya. Library Management, Vol 39, Issue 6-7, pp 375-388
Mattioli (2014)Mattioli, M. (2014). Disclosing Big Data. Minn. L. Rev., 99, 535.
Max Planck Institute (2013)Copyright, Competition and Development, Max Planck Institute (2013).
McRobbie, Strutt, Bandinelli and Springer (2016)McRobbie, A., Strutt, D., Bandinelli, C. And Springer, B. (2016) Fashion micro-enterprises in London, Berlin, Milan. CREATe Working Paper Series DOI: 10.5281/zenodo.162668
Mendis, Secchi and Reeves (2015)Mendis, D., et al. (2015). A Legal and Empirical Study into the Intellectual Property Implications of 3D Printing.
Merz (2005)Merz, J. F. (2005). Intellectual Property and Product Development Public/Private Partnerships. Intellectual Property and Product Development Public/Private Partnerships.
Nanayakkara (2017)Nanayakkara, G. (2017) ‘Promise and Perils of Sri Lankan Performers’ Rights: The Royalty Collection in Music’ European Journal of Current Legal Issues, 23(1).
Noto La Diega (2019)Noto La Diega, G. (2019) Can the law fix the problems of fashion? An empirical study on social norms and power imbalance in the fashion industry. Journal of Intellectual Property Law & Practice, 14(1), pp18-24
Oliar and Sprigman (2009)Oliar, D., & Sprigman, C. (2008). There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy. Virginia Law Review, 1787-1867.
Owen and O'Dair (2020)Owen, R., & O'Dair, M. (2020). How blockchain technology can monetize new music ventures: an examination of new business models. The Journal of Risk Finance.
Owen and O'Dair (2020) 2Owen, R. and O'Dair, M. (2020), How blockchain technology can monetize new music ventures: an examination of new business models, Journal of Risk Finance, Vol. 21 No. 4, pp. 333-353.
Pappalardo and Aufderheide (2020)Pappalardo, K. and Aufderheide, P. (2020) Romantic Remixers: Hidden Tropes of Romantic Authorship in Creators’ Attitudes about Reuse. Cultural Science Journal, 12(1), pp 1-12
Pappalardo, Aufderheide, Stevens, and Suzor (2017)Pappalardo, K., Aufderheide, P., Stevens, J., and Suzor, N. (2017) Imagination foregone: A qualitative study of the reuse practices of Australian creators. Report produced for the Australian Digital Alliance.
Pearce (2011)Pearce, K. E. (2011). Convergence through mobile peer-to-peer file sharing in the Republic of Armenia. International Journal of Communication, 5, 511-528.
Pertierra (2012)Pertierra, A. C. (2012). If They Show Prison Break in the United States on a Wednesday, by Thursday It Is Here: Mobile Media Networks in Twenty-First-Century Cuba. Television & New Media, 13, 399-414.
Perzanowski (2013)Perzanowski, A. (2013). Tattoos & IP norms.Case Western Reserve University School of Law 511. Available at SSRN 2145048.
Perzanowski (2017)Perzanowski, A., 'Owning the Body: Creative Norms in the Tattoo Industry', in Darling, K. and Perzanowski, A. (eds.), Creativity Without Law: Challenging the Assumptions of Intellectual Property, New York University Press, New York, 2017, pp. 208–276.
Pham (2019)Pham, H. (2019) Standing Up for Stand-Up Comedy: Joke Theft and the Relevance of Copyright Law and Social Norms in the Social Media Age. Fordham Intellectual Property, Media and Entertainment Law Journal, 30(1)
Pham Dang and Nguyen (2019)Pham, Q.T., Dang, N.M. and Nguyen, D.T. (2019) Factors Affecting on the Digital Piracy Behaviour: An Empirical Study in Vietnam. Journal of Theoretical and Applied Electronic Commerce Research, 15(2), pp 122-135
PricewaterhouseCoopers (2016)PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016.
Raustiala and Sprigman (2019)Raustiala, K., & Sprigman, C. J. (2019). The Second Digital Disruption: Streaming and the Dawn of Data-Driven Creativity. NYUL Rev., 94, 1555.
Reid and Nicolla (2022)Reid, A. and Nicolla, S.K. (2022) Exploring Music Therapists’ Experiences With and Perceptions About Copyrighted Music: A Thematic Analysis. Journal of Music Therapy, 59(3), 269-306
Sarid (2014)Sarid, E. (2014) Don’t Be a Drag, Just Be a Queen—How Drag Queens Protect their Intellectual Property without Law. 10 FIU L. Rev. 133.
Schofield and Urban (2015)Schofield B. L. and Urban J. M. Takedown and Today's Academic Digital Library (2015) UC Berkeley Public Law Research Paper No. 2694731.
Schwind (2018)Schwind, K.H. (2018) ‘It’s not like the Germans to take something that wasn’t theirs’: Exploring issues of ownership and creative borrowing as a challenge for transnational format adaptation through Stromberg. Critical Studies in Television: The International Journal of Television Studies. Volume: 13 issue: 2, page(s): 188-206
Sheehan, Tsao and Pokrywczynski (2012)Sheehan, B., Tsao, J., & Pokrywczynski, J. (2012). Stop the Music: How Advertising Can Help Stop College Students from Downloading Music Illegally. Journal of Advertising Research, 52, 309-321.
Silbey (2014a)Silbey, J. (2014) The Eureka Myth: Creators, Innovators and Everyday Intellectual Property. Stanford University Press: Stanford.