Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Click on one or more items below to narrow your results.
Aplin and Bently (2020) (1) ·
Aria and Kinukawa (2014) (1) ·
Audferheide and Jaszi (2018) (1) ·
Aufderheide and Jaszi (2018) (1) ·
Beisner (2010) (1) ·
Froschauer (2008) (1) ·
Gilbert (2014) (1) ·
Ginsburg (2014) (1) ·
Hansen (2012) (1) ·
Hargreaves (2011) (1) ·
Helfer and Austin (2011) (1) ·
Hudson (2017) (1) ·
Kapczynski (2008) (1) ·
McCarthy (2013) (1) ·
Nimmer (2013) (1) ·
OHIM (2013b) (1) ·
Perlmutter (1991-1992) (1) ·
Raustiala and Sprigman (2011) (1) ·
Rothman (2007) (1) ·
Samuelson (2011) (1) ·
Samuelson and Wheatland (2009) (1) ·
Shaver (2010) (1) ·
Spoor, Verkade and Visser (2019) (1) ·
Towse (2011) (1) ·
United States Copyright Office (1992) (1) ·
Von Lohmann (2008) (1)
K42: Illegal Behavior and the Enforcement of Law (2) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (7) ·
O38: Government Policy (3) ·
Z11: Economics of the Arts and Literature (1) ·
Z18: Public Policy (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (7)
Correlation and Association (1) ·
Legal Analysis (4) ·
Qualitative Analysis Methods (1) ·
Qualitative Coding / Sorting (e.g. of interview data) (7) ·
Quantitative Analysis Methods (1) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Regression Analysis (1) ·
Textual Content Analysis (3)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (5)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
Creative, arts and entertainment (3) ·
Cultural education (2) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (2) ·
Software publishing (1) ·
Sound recording and music publishing (1) ·
Television programmes (2)
Showing below up to 7 results in range #1 to #7.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)