Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Comparative study:
Yes 
& Fundamental Issues :
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? or
3. Harmony of interest assumption between authors and publishers (creators and producers/investors)
& Fundamental Issues :
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? or
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) Click on one or more items below to narrow your results.
Author:
Year:
Related to:
Discipline:
Data Type:
Secondary Data Source:
Data collection method:
Archival Research (1) ·
Case Study (11) ·
Document Research (2) ·
Ethnography (1) ·
Experimental (Laboratory) (1) ·
Focus Groups (2) ·
Historical Methods (2) ·
Life History (1) ·
Participant Observation (2) ·
Qualitative Collection Methods (24) ·
Qualitative content/text mining (3) ·
Quantitative Collection Methods (19) ·
Quantitative data/text mining (17) ·
Semi-Structured Interview (7) ·
Survey Research (qualitative; e.g. consumer preferences) (10) ·
Survey Research (quantitative; e.g. sales/income reporting) (10) ·
Web analytic (online user trace data) (3)
Data analysis method:
Cluster analysis (4) ·
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (6) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (9) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (1) ·
Grounded Theory (1) ·
Legal Analysis (7) ·
Multivariate Statistics (2) ·
Qualitative Analysis Methods (14) ·
Qualitative Coding / Sorting (e.g. of interview data) (6) ·
Quantitative Analysis Methods (22) ·
Quantitative content analysis (e.g. text or data mining) (16) ·
Regression Analysis (4) ·
Textual Content Analysis (8)
Country:
Comparative study: (Click arrow to add another value)
Time period of data collection:
1853 to 1996 (1) ·
1985-2005 (1) ·
1988 to 2008 (1) ·
1989 to 2008 (1) ·
1989-1995 (1) ·
1990-1999 (1) ·
1994 (1) ·
1995-1999 (1) ·
1996-2005 (1) ·
1998 (1) ·
1998 to 2012 (1) ·
1998-2009 (1) ·
2004 to 2005 (1) ·
2006 (1) ·
2009-2011 (1) ·
2010-2011 (3) ·
2011 (1) ·
2012-2013 (2) ·
2012-2016 (1) ·
2013 (1) ·
2014 (2) ·
2014 - 2017 (1) ·
20th & 21st Century (1) ·
July 2006 and 2010 (1) ·
No data (1) ·
Non stated (1) ·
Not stated (4) ·
November 2009 (1) ·
Until 2012 (1)
Funder:
Alfred P. Sloan Foundation (1) ·
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
Center for Global Partnership (1) ·
ESRC (Media Economics & Media Culture Programme) L 12625 101 1 (1) ·
European Commission (2) ·
European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs (1) ·
Fulbright Senior Research grant (1) ·
HM Treasury (1) ·
IPO (2) ·
Intellectual Property Office (1) ·
Open Society Institute (1) ·
RCUK/CREATe (1) ·
Robert William University Research Foundation (1) ·
The Creators’ Rights Alliance (1) ·
The Finnish Academy (1) ·
The study was funded by the UK Authors’ Licensing & Collecting Society (ALCS) (1) ·
This research was part of the multicountry research project 'Towards a Detente in Media Piracy' undertaken by the Association for Progressive Communications (ACP) and supported bu the Social Science Research Council (SSRC), New York (1) ·
United States Copyright Office (2) ·
WIPO (1) ·
Wellcome Trust (1)
Fundamental Issues: (Click arrow to add another value)
Evidence Based Policies:
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (16) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (9) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (5) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (17) ·
E. Fair remuneration (levies; copyright contracts) (8) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (9)
Data sample size:
Data unit of assessment:
Authors (1) ·
Cases (2) ·
Collecting Socieities (1) ·
Company (1) ·
Copyright enforcement models (1) ·
Copyright systems (1) ·
Country (4) ·
Cultural Heritage Institutions (1) ·
Cultural Institution Staff (1) ·
Cultural Institutions (1) ·
Individual (2) ·
Individual Staff (1) ·
Interview (1) ·
Kickstarter projects (1) ·
Models for database creation (1) ·
Models of copying (1) ·
Models of protection (1) ·
Music sales data (1) ·
Music streaming services (1) ·
Open access journal (1) ·
Open access repository (1) ·
Open and closed development models (1) ·
Publications (1) ·
Questionnaire (1) ·
Scenario (1) ·
Stakeholders (3) ·
Wikipedia pages (1) ·
copyright enforcement models (1) ·
publications per country per year (1) ·
user-generated music video parodies (1)
Data material year:
1853 to 1996 (1) ·
1981 to 2001 (1) ·
1985 to 2005 (1) ·
1986-2005 (1) ·
1988 to 2005 (1) ·
1989-1995 (1) ·
1989-2008 (1) ·
1990-1999 (1) ·
1992-2014 (1) ·
1994 (1) ·
1995-1999 (1) ·
1998 (1) ·
1998 to 2013 (1) ·
1998-2009 (1) ·
2004 to 2005 (1) ·
2006 (2) ·
2009 (1) ·
2009-2011 (1) ·
2010 (2) ·
2010-2011 (2) ·
2011 (1) ·
2012 (1) ·
2012-2013 (1) ·
2013 (3) ·
2014 (2) ·
January - April 2014 (1) ·
Non stated (1) ·
Not stated (2)
Data industry:
Computer programming (2) ·
Creative, arts and entertainment (13) ·
Cultural education (5) ·
Film and motion pictures (7) ·
Libraries, archives, museums and other cultural activities (4) ·
Photographic activities (3) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (10) ·
Software publishing (9) ·
Sound recording and music publishing (13) ·
Television programmes (4)
Showing below up to 37 results in range #1 to #37.
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