Browse data: Studies
From Copyright EVIDENCE
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- Studies (908)
Studies > Data collection method :
Case Study or
Document Research or
Experimental (Field) or
Structured Interview
& Cross country study:
No
& Data sample size:
60-120
Click on one or more items below to narrow your results.
Astle and Muir (2002) (1) ·
Baumann and Hummel (2003) (1) ·
Beebe (2008) (1) ·
Boltanski and Chiapello (2005) (1) ·
Boltanski and Thévenot (2006) (1) ·
Buhse (2002) (1) ·
Chiapello and Fairclough (2002) (1) ·
Cooks and Hardin (2001) (1) ·
Corbett (2011) (1) ·
Cotropia and Gibson (2014) (1) ·
Fairclough (2003) (1) ·
Fairclough (2004) (1) ·
Haug and Weber (2004) (1) ·
Nimmer (2003) (1) ·
Putnam (1994) (1) ·
Sag (2011) (1) ·
Samuelson (2009) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Vuopala (2010) (1)
K41: Litigation Process (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
M31: Marketing (1) ·
M38: Government Policy and Regulation (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (6) ·
O38: Government Policy (2) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (6) ·
None (1)
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Discourse Analysis (1) ·
Legal Analysis (4) ·
Qualitative Analysis Methods (3) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (2) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Textual Content Analysis (3) ·
Visual / Other Content Analysis (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (1) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
Creative, arts and entertainment (3) ·
Cultural education (1) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (2) ·
Publishing of books, periodicals and other publishing (2) ·
Sound recording and music publishing (5) ·
Television programmes (1)
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