Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Data Type:
Primary and Secondary data
& Data collection method :
Quantitative Collection Methods or
Survey Research (quantitative; e.g. sales/income reporting)
& Government or policy study:
No
& Evidence Based Policies :
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) or
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness)
& Data industry :
Computer consultancy or
Computer programming or
Sound recording and music publishing
Click on one or more items below to narrow your results.
Author:
Related to:
A12: Relation of Economics to Other Disciplines (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (1) ·
D4: Market Structure and Pricing (1) ·
K10: General (1) ·
K1: Basic Areas of Law (1) ·
K30: General (1) ·
K3: Other Substantive Areas of Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (6) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (3) ·
L11: Production; Pricing; and Market Structure • Size Distribution of Firms (1) ·
L15: Information and Product Quality • Standardization and Compatibility (1) ·
L1: Market Structure; Firm Strategy; and Market Performance (1) ·
L82: Entertainment • Media (7) ·
L86: Information and Internet Services • Computer Software (1) ·
L8: Industry Studies: Services (3) ·
L: Industrial Organization (1) ·
O31: Innovation and Invention: Processes and Incentives (3) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (9) ·
O34: Intellectual Property and Intellectual Capital (19) ·
O38: Government Policy (2) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (8) ·
O: Economic Development; Technological Change; and Growth (1) ·
Z11: Economics of the Arts and Literature (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (3) ·
Other (24) ·
None (1)
Arthur, W.B. (1994) (1) ·
BigChampagne (1) ·
Billboard-Blogs (1) ·
Billboard Chart (2) ·
British Music Rights (1) ·
CDBaby (1) ·
Center for Research in Security Prices (1) ·
Daniel, E. and Klimis, G.M. (1999) (1) ·
Dolfsma, W. (2000) (1) ·
EMusic (1) ·
Fortune Global 500 (1) ·
Gale Directory of Databases (1) ·
IFPI (1) ·
IMDb (1) ·
Lippman (2013) (1) ·
Literature review (1) ·
Lumen (2) ·
Nielsen SoundScan (1) ·
OECD Reports (1) ·
OFCOM (1) ·
OMeBa (1) ·
Online Copyright Infringement Tracker surveys (1) ·
Pew Internet Project (1) ·
RIAA (1) ·
RIAJ (1) ·
Review of Existing Academic and Industries Literature (3) ·
Statistisches Bundesamt (1) ·
The International Federation of The Phonographic Industry (1) ·
The International Publishers Association (1) ·
TuneCore (1) ·
UNESCO (1) ·
USCO (2014-2018) annual reports (1) ·
US Copyright Records (1) ·
University of Hertfordshire (1) ·
WIPO (1) ·
Xenofilkia Magazine (1) ·
YouTube (1)
Correlation and Association (5) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (10) ·
Discourse Analysis (1) ·
Factor Analysis (1) ·
Legal Analysis (1) ·
Multivariate Statistics (2) ·
Qualitative Analysis Methods (12) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (17) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Regression Analysis (4) ·
Structural Equation Modeling (1) ·
Textual Content Analysis (3) ·
Visual / Other Content Analysis (2)
1919 - 1926 (1) ·
1930 - 1960 (1) ·
1990-1999 (1) ·
1991-2000
2006 (1) ·
1995-1999 (1) ·
1996-2000 (1) ·
2001-2011 (1) ·
2003 (1) ·
2003-2004 (1) ·
2004 (1) ·
2005 (1) ·
2009 (2) ·
2011 (1) ·
2012 (1) ·
2012-2016 (1) ·
2013 (2) ·
2013-2018 (1) ·
2014 (1) ·
2016 (1) ·
2018 - 2019 (1) ·
Not stated (5) ·
Various (1)
AHRC Creative Industries Policy and Evidence Centre (grant: AH/S001298/1) (1) ·
Centre for Copyright and New Business Model in the Creative Economy (CREATe) (1) ·
European Commission (1) ·
German Institute for Economic Research (1) ·
Google (1) ·
Not stated (1) ·
RCUK (1) ·
Sloan Foundation (1) ·
UK Music (1) ·
University of East Anglia (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (13) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (6) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (20)
City (1) ·
Company (2) ·
Country (1) ·
Focus of the study is the domestic market for recorded music in the USA. (1) ·
Individual (7) ·
Multinational music firms (1) ·
Music services (1) ·
P2P users (1) ·
Recording Artists (1) ·
Songs (2) ·
Stakeholders (1) ·
Students (2) ·
Studies (1) ·
Takedown Notices (1) ·
Takedown Requests (1) ·
Takedown Rquests (1) ·
Videos (1) ·
events (1) ·
firm-events (1) ·
publicly traded firms (1)
1919 – 1926 (1) ·
1930 – 1960 (1) ·
1988-2009 (1) ·
1990-1999 (1) ·
1991-2000 (1) ·
1991-2006 (1) ·
1995-1999 (1) ·
1996-2000 (1) ·
2003 (1) ·
2003-2004 (1) ·
2004 (1) ·
2005 (1) ·
2006 (1) ·
2008-2012 (1) ·
2009 (2) ·
2011 (1) ·
2013 (2) ·
2014 (1) ·
2015 (1) ·
2016 (1) ·
Not stated (3)
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