Browse data: Studies
From Copyright EVIDENCE
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- Studies (908)
Studies > Year :
1970 or
1982 or
2005 or
2008 or
2014
& Data collection method :
Quantitative data/text mining or
Survey Research (quantitative; e.g. sales/income reporting)
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
& Evidence Based Policies :
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) or
Other
Click on one or more items below to narrow your results.
Allen (1983) (1) ·
Armstrong (1990) (1) ·
Astle and Muir (2002) (1) ·
Bernstein (1992) (1) ·
Corbett (2011) (1) ·
Cotropia and Gibson (2014) (1) ·
Goldstein (2001) (1) ·
None Cited (1) ·
Rosamond (2002) (1) ·
Rose(1993) (1) ·
Rose (1988) (1) ·
Saunders (1992) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Strandbourg (2008) (1) ·
Vuopala (2010) (1)
A14: Sociology of Economics (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
K: Law and Economics (1) ·
L82: Entertainment • Media (1) ·
L83: Sports • Gambling • Restaurants • Recreation • Tourism (1) ·
L88: Government Policy (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (1) ·
Other (5) ·
None (1)
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
European Commission (1) ·
Federation Against Copyright Theft (1) ·
None stated (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (1)
Creative, arts and entertainment (3) ·
Cultural education (1) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (1) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (2) ·
Software publishing (1) ·
Sound recording and music publishing (2) ·
Specialised design (1) ·
Television programmes (2)
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