Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method:
Survey Research (quantitative; e.g. sales/income reporting)
& Evidence Based Policies :
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) or
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability)
& Data industry :
Computer consultancy or
Computer programming or
Creative, arts and entertainment
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ALCS survey 2007 (1) ·
ALCS survey 2015 (1) ·
Annual Survey of Hours and Earnings (1) ·
Australian Bureau of Statistics Census 2001, 2006 (1) ·
Author's Licensing & Collecting Society (1) ·
Billboard Chart (1) ·
British Film Institute (1) ·
CitiGroup (1) ·
Copyright Licensing Society (1) ·
Digital Music Times (1) ·
EITO (1) ·
Gale Directory of Databases (1) ·
IFPI (1) ·
LexisNexis (1) ·
OFCOM (1) ·
PRS for Music (1) ·
Publishers Association (1) ·
Quora (1) ·
Stichting de Thuiskopie (1) ·
UK Film Council (1) ·
US Copyright Office (1) ·
Wired Magazine (1)
Cluster analysis (2) ·
Correlation and Association (6) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (18) ·
Factor Analysis (1) ·
Legal Analysis (6) ·
Multivariate Statistics (2) ·
Qualitative Analysis Methods (5) ·
Qualitative Coding / Sorting (e.g. of interview data) (7) ·
Quantitative Analysis Methods (11) ·
Quantitative content analysis (e.g. text or data mining) (4) ·
Regression Analysis (5) ·
Textual Content Analysis (6)
Australia Council for the Arts (1) ·
Authors’ Licensing & Collecting Society (ALCS) (1) ·
Commonwealth of Australia (1) ·
European Commission (3) ·
European Parliament (1) ·
Groupement Européen des Sociétés d’Auteurs et Compositeurs (1) ·
IPO (3) ·
JISC (1) ·
Mellon Foundation (2) ·
Motion Picture Association of America (1) ·
None (1) ·
None stated (1) ·
Not stated (2) ·
The study was funded by the UK Authors’ Licensing & Collecting Society (ALCS) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (22) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (9) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (7) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (9)
Artists (1) ·
Authors (1) ·
Chefs (1) ·
Company (1) ·
Focus group (1) ·
Individual (6) ·
Individuals (1) ·
Industries (1) ·
Kickstarter projects (1) ·
Museums (2) ·
PSI re-users (1) ·
Recording Artists (1) ·
Stakeholders (3) ·
Students (1) ·
US Copyright Office Registrations (1) ·
Wikipedia pages (1) ·
applications (1) ·
orphan works (1) ·
user-generated music video parodies (1)
1991-2000 (1) ·
2003-2004 (1) ·
2004 (1) ·
2006 (4) ·
2008 to 2009 (1) ·
2008-2012 (1) ·
2009 (2) ·
2010 (1) ·
2011 (1) ·
2012 (1) ·
2013 (3) ·
2014 (3) ·
January - April 2014 (1) ·
November 2011 – May 2012 (1) ·
The cut-off date for analysis is the end of the 2008 calendar year, although some 2009 data has been included where available and appropriate. (1)
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