Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Document Research or
Experimental (Natural) or
Quantitative data/text mining or
Snowball sampling or
Survey Research (quantitative; e.g. sales/income reporting)
& Data analysis method:
Ethnographic/narrative analysis
Click on one or more items below to narrow your results.
Arsenault (2009) (1) ·
Boyden (2011) (1) ·
Buccafusco and Heald (2013) (1) ·
Corbett (2011) (1) ·
Haverman (2004) (1) ·
Heald (2008) (1) ·
Heald (2014) (1) ·
IGDA (2003) (1) ·
Li et al., 2014 (1) ·
MacGarvie and Moser, 2014 (1) ·
Oberholzer-Gee and Strumpf, 2007 (1) ·
Oriakhogba, 2020 (1) ·
Pollock (2006) (1) ·
Poor (2012) (1) ·
Postigo (2008) (1) ·
Rob and Waldfogel (2006) (1) ·
Rogers and Szamosszegi (2010) (1) ·
Scherer, 2004 (1) ·
Siwek (2013) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Vuopala (2010) (1) ·
Waldfogel, 2011 (1)
C13: Estimation: General (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (2) ·
D42: Monopoly (1) ·
D61: Allocative Efficiency • Cost–Benefit Analysis (1) ·
J16: Economics of Gender • Non-labor Discrimination (1) ·
K00: General (1) ·
K0: General (1) ·
K11: Property Law (3) ·
L82: Entertainment • Media (1) ·
N3: Labor and Consumers; Demography; Education; Health; Welfare; Income; Wealth; Religion; and Philanthropy (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (7) ·
O38: Government Policy (1) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (2) ·
Z11: Economics of the Arts and Literature (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (7)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (7)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (4) ·
E. Fair remuneration (levies; copyright contracts) (2)
Creative, arts and entertainment (3) ·
Cultural education (2) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (3) ·
Sound recording and music publishing (1) ·
Specialised design (1) ·
Video game publishing (1)
Showing below up to 7 results in range #1 to #7.
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