Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Document Research or
Focus Groups or
Historical Methods or
Snowball sampling
& Country:
Canada
Click on one or more items below to narrow your results.
Access Copyright (2018b) (1) ·
Astle and Muir (2002) (1) ·
Beisner (2010) (1) ·
Carriere (1993) (1) ·
Corbett (2011) (1) ·
Gervais (2010) (1) ·
Ginsburg (2012) (1) ·
Ginsburg (2014) (1) ·
Hansen (2012) (1) ·
Hargreaves (2011) (1) ·
Heritage Committee (2019) (1) ·
INDU Committee (2019) (1) ·
McCarthy (2013) (1) ·
Nimmer (2013) (1) ·
Samuelson (2011) (1) ·
Samuelson and Wheatland (2009) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
The Berkman Center for Internet & Society and GartnerG2 (2003a) (1) ·
The Berkman Center for Internet & Society and GartnerG2 (2003b) (1) ·
Vuopala (2010) (1) ·
Walter and Von Lewinski (2010) (1)
I28: Government Policy (1) ·
K23: Regulated Industries and Administrative Law (1) ·
K29: Other (1) ·
K33: International Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
L82: Entertainment • Media (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (6) ·
O38: Government Policy (4) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (8)
Canadian Association of Research Libraries (1) ·
European Commission (1) ·
Not stated (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
United States Copyright Office (2) ·
World Intellectual Property Organization (1) ·
de Thuiskopie (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (6) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Architectural (1) ·
Computer programming (1) ·
Creative, arts and entertainment (4) ·
Cultural education (2) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (2) ·
Publishing of books, periodicals and other publishing (4) ·
Sound recording and music publishing (3) ·
Television programmes (1)
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