Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Document Research or
Quantitative data/text mining or
Semi-Structured Interview or
Survey Research (quantitative; e.g. sales/income reporting)
& Data analysis method:
Grounded Theory
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Aufderheide, P. (1) ·
Bosworth, D. (1) ·
Bruckman, A. (1) ·
Campbell, J. (1) ·
Fesuton, J. (1) ·
Fiesler, C. (1) ·
Fryxell, G. (1) ·
Garcia-Álvarez, E. (1) ·
Green, T. (1) ·
Hill, B. M. (1) ·
Iljadica, M. (2) ·
Kretschmer, M. (1) ·
Liebowitz, S. J. (1) ·
López-Sintas, J. (1) ·
Pappalardo, K. (1) ·
Savage, S. (1) ·
Sinclair, G. (1) ·
Singh, S. (1) ·
Sonmez, M. (1) ·
Yang, D. (1) ·
Zerkee, J. (1) ·
Zerva, K. (1)
Related to:
A10: General (1) ·
A13: Relation of Economics to Social Values (1) ·
I28: Government Policy (1) ·
K11: Property Law (1) ·
K3: Other Substantive Areas of Law (1) ·
K: Law and Economics (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (7) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (2) ·
O57: Comparative Studies of Countries (1) ·
Z13: Economic Sociology • Economic Anthropology • Social and Economic Stratification (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (3) ·
Other (11)
Canadian Association of Research Libraries (1) ·
ESRC (UK) Grant No. RES–186–27–0012 (1) ·
Fulbright Senior Research grant (1) ·
Not stated (1) ·
This research was funded by Grant Number ECO2008-0410/ECON of the Spanish Ministry of Science and Innovation and FEDER, and by the Centre for Research and Studies in Humanities of the Universitat Autònoma de Barcelona. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (3) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (6)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (5) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (4) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (5)
Computer programming (1) ·
Creative, arts and entertainment (5) ·
Cultural education (1) ·
Film and motion pictures (2) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (2) ·
Software publishing (1) ·
Sound recording and music publishing (5) ·
Television programmes (2)
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