Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Ethnography or
Experimental (Field) or
Experimental (Natural) or
Quantitative data/text mining or
Snowball sampling
& Data industry:
Creative, arts and entertainment
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Secondary Data Source:
Cluster analysis (2) ·
Correlation and Association (9) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (13) ·
Discourse Analysis (3) ·
Ethnographic/narrative analysis (4) ·
Grounded Theory (4) ·
Legal Analysis (14) ·
Multivariate Statistics (5) ·
Qualitative Analysis Methods (17) ·
Qualitative Coding / Sorting (e.g. of interview data) (7) ·
Quantitative Analysis Methods (25) ·
Quantitative content analysis (e.g. text or data mining) (24) ·
Regression Analysis (6) ·
Social Network Analysis (1) ·
Structural Equation Modeling (1) ·
Textual Content Analysis (14) ·
Visual / Other Content Analysis (1)
1975–2000 (1) ·
1978 to 2005 (1) ·
1978-2012 (1) ·
1984 - 2013 (1) ·
1984 to 1999 (1) ·
1994-2014 (1) ·
1998-2018 (1) ·
2000,2005, and 2013 (1) ·
2000-2012 (1) ·
2002 - 2014 (1) ·
2002 to 2008 (1) ·
2003-2007 (1) ·
2004 to 2011 (1) ·
2005 to 2008 (1) ·
2006 to 2010 (1) ·
2007 (1) ·
2007-2010 (1) ·
2007-2011 (1) ·
2008 (1) ·
2008 to 2009 (1) ·
2009 (1) ·
2009-2011 (1) ·
2010 (1) ·
2010-2011 (1) ·
2011 (1) ·
2012 to 2013 (1) ·
2012-2013 (1) ·
2013-2014 (1) ·
2014 (2) ·
April 2010 - September 2011 (2) ·
Data includes an assessment of creative industries in comparison with market trends and competition. Several examples are presented to support economic theory and proposition. (1) ·
January 2017 (1) ·
July 2016 – October 2018 (1) ·
June 2008 (1) ·
No data (1) ·
Not stated (4) ·
November 2018 - January 2019 (1) ·
Spring 2013 (1) ·
Until 2012 (1)
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
Authors’ Licensing & Collecting Society (ALCS) (1) ·
Centre National de la Recherche Scientifique (CNRS) (1) ·
Commonwealth of Australia (1) ·
Economic and Social Research Council (1) ·
Economic and Social Research Council (ESRC) (grant RES-173-27-0220) (1) ·
European Commission (1) ·
H2020 reCreating Europe (1) ·
IPO (1) ·
International Intellectual Property Alliance (1) ·
JISC (1) ·
National Science Foundation (1) ·
Not stated (4) ·
Portuguese Foundation of Science and Technology (1) ·
Queen Elizabeth Scholar programme (1) ·
The Creators’ Rights Alliance (1) ·
The National Academies of the Sciences (1) ·
The authors acknowledge the George Mason University’s Center for the Protection of Intellectual Property and its Leonardo da Vinci Research (1) ·
This Report was prepared for APRA AMCOS, PPCA, Copyright Agency│Viscopy, Foxtel, News Corp Australia and Screenrights. (1) ·
University of Houston Law Center’s Institute for Intellectual Property & Information Law’s 2012-2013 Sponsored Scholarship Grant for the Legal Academy (1) ·
openAir - African Innovation Research (1) ·
the International Development Research Centre (IDRC) (1) ·
the Social Sciences and Humanities Research Council Canada (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (29) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (16) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (6) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (23) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (15)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (20) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (12) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (15) ·
E. Fair remuneration (levies; copyright contracts) (13) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (17)
Academic article (1) ·
Case study (2) ·
Cases (2) ·
Company (1) ·
Copyright Law Suits (1) ·
Copyright enforcement systems (1) ·
Copyright registrations (1) ·
Country (1) ·
Court cases (1) ·
Creators (1) ·
Economic indicators (1) ·
Economic theory-based academic papers related to copyright (1) ·
Federal Judgement Opinions (1) ·
Focus group (1) ·
Forum posts (1) ·
Individual (7) ·
Individual data (1) ·
Individuals (1) ·
Stakeholders (2) ·
Systems of fair use in copyright (1) ·
Wikipedia webpages (1) ·
Work made for hire cases (1) ·
authors (1) ·
composers and lyricists (1) ·
court records (1) ·
user-generated music video parodies (1)
1870-2006 (1) ·
1975 to 2000 (1) ·
1978 to 2005 (1) ·
1984 to 1999 (1) ·
1984 to 2013 (1) ·
1984-2011 (1) ·
1989-2014 (1) ·
1994-2014 (1) ·
2000-2012 (1) ·
2002 to 2008 (1) ·
2003-2007 (1) ·
2004 to 2011 (1) ·
2005 to 2008 (1) ·
2007 (1) ·
2008 (1) ·
2008 to 2009 (1) ·
2009 (1) ·
2010 (2) ·
2011 (1) ·
2011 to 2015 (1) ·
2012 (1) ·
2013 (2) ·
2014 (1) ·
April 2010 - September 2011 (2) ·
Not stated (3) ·
january 2008 (1)
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