Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Experimental (Natural) or
Focus Groups or
Quantitative data/text mining or
Semi-Structured Interview or
Snowball sampling
& Data analysis method:
Multivariate Statistics
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Brauneis, R. (1) ·
Charles River Associates (1) ·
Chen, Y. (1) ·
Cuadrado-García, M. (1) ·
Erickson, K. (1) ·
Fan, Y. (1) ·
Hansen, J. M. (1) ·
Heald, P. J. (2) ·
Homberg, F. (1) ·
Hui, K. L. (1) ·
Javorcik, B. S. (1) ·
Kretschmer, M. (1) ·
Ku, R. S. R. (1) ·
Liebowitz, S. J. (1) ·
Long, X. (1) ·
Mendis, D. (1) ·
Montoro-Pons, J. D. (1) ·
Oliar, D. (1) ·
Png, I. P. (2) ·
Puttitanun, T. (1) ·
Siwek, S. E. (1) ·
Sun, J. (1) ·
Vacca, R. (1) ·
Walden, E. A. (1) ·
Wang, Q. H. (1) ·
Zhang, L. (1)
Related to:
Discipline:
Amazon.com (1) ·
Arbitron (1) ·
Billboard Chart (1) ·
Booksinprint.com (1) ·
Copyright Office Electronic Catalog (1) ·
EBRD Foreign Investment Survey (1) ·
Film Index International (1) ·
GMID (1) ·
Global Market Information Database (1) ·
IMDb (1) ·
IMDbPro (1) ·
ITunes (1) ·
Nielsen Media Research (1) ·
Nielsen SoundScan (2) ·
OECD Reports (2) ·
U.S. Bureau of Economic Analysis (1) ·
U.S. Census Bureau (2) ·
U.S. Copyright Registrations (1) ·
UNESCO Statistical Yearbook (1) ·
United States Patent and Trademark Office website (1) ·
World Development Indicators CD-ROM (1) ·
Worldscope (1) ·
YouTube (1)
Department of International Trade, Chungnam National University (1) ·
European Commission (1) ·
IPO (1) ·
International Intellectual Property Alliance (1) ·
National Science Foundation (1) ·
None (2) ·
Not Stated (1) ·
University of Houston Law Center’s Institute for Intellectual Property & Information Law’s 2012-2013 Sponsored Scholarship Grant for the Legal Academy (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (9) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (6) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (5)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (8) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (4) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (4) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (4)
Album (1) ·
Artist (1) ·
Company (1) ·
Copyright registrations (1) ·
Country (4) ·
Economic indicators (1) ·
Firms (1) ·
Focus of the study is the domestic market for recorded music in the USA. (1) ·
Individual (2) ·
Kickstarter projects (1) ·
Movies (1) ·
Out-of-print books (1) ·
University students (1) ·
Wikipedia pages (1) ·
Work made for hire cases (1)
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