Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year:
2015 
& Data collection method :
Experimental (Natural) or
Quantitative data/text mining or
Semi-Structured Interview or
Snowball sampling
& Data collection method :
Experimental (Natural) or
Quantitative data/text mining or
Semi-Structured Interview or
Snowball sampling Click on one or more items below to narrow your results.
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Year: (Click arrow to add another value)
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Discipline:
A11: Role of Economics • Role of Economists • Market for Economists (1) ·
A12: Relation of Economics to Other Disciplines (1) ·
A1: General Economics (1) ·
A20: General (1) ·
A22: Undergraduate (1) ·
A2: Economic Education and Teaching of Economics (1) ·
A: General Economics and Teaching (1) ·
C13: Estimation: General (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (4) ·
D2: Production and Organizations (1) ·
D61: Allocative Efficiency • Cost–Benefit Analysis (1) ·
D83: Search • Learning • Information and Knowledge • Communication • Belief (1) ·
D: Microeconomics (1) ·
H41: Public Goods (1) ·
H4: Publicly Provided Goods (1) ·
H: Public Economics (1) ·
I23: Higher Education • Research Institutions (1) ·
K00: General (1) ·
K11: Property Law (5) ·
K1: Basic Areas of Law (1) ·
K2: Regulation and Business Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K: Law and Economics (1) ·
L21: Business Objectives of the Firm (1) ·
L2: Firm Objectives; Organization; and Behavior (1) ·
L82: Entertainment • Media (5) ·
L86: Information and Internet Services • Computer Software (2) ·
L8: Industry Studies: Services (1) ·
L: Industrial Organization (1) ·
M37: Advertising (1) ·
O30: General (1) ·
O32: Management of Technological Innovation and R&D (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (7) ·
O34: Intellectual Property and Intellectual Capital (20) ·
O38: Government Policy (4) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (3) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (22)
Data Type:
Secondary Data Source:
Athey & Mobius (2012) (1) ·
Australian Bureau of Statistics (2014) (1) ·
Australian Law Reform Commission (2013) (1) ·
Boxofficemojo.com (1) ·
Chilling Effects (Lumen) (1) ·
Chiou & Tucker (2011) (1) ·
Gigaom Analysis (2014) (1) ·
Google Transparent Report (1) ·
Huang et al. (2013) (1) ·
Lee & Chyi (2015) (1) ·
Literature review (1) ·
Menéame Boycott (2014) (1) ·
Movie2k.to (1) ·
Review of Existing Academic and Industries Literature (1) ·
Various (1) ·
WIPO (2014) (1) ·
Yang & Chyi (2011) (1)
Data collection method: (Click arrow to add another value)
Data analysis method:
Cluster analysis (2) ·
Correlation and Association (6) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (7) ·
Ethnographic/narrative analysis (1) ·
Grounded Theory (1) ·
Legal Analysis (6) ·
Meta-Analysis (1) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (11) ·
Qualitative Coding / Sorting (e.g. of interview data) (5) ·
Quantitative Analysis Methods (12) ·
Quantitative content analysis (e.g. text or data mining) (9) ·
Regression Analysis (5) ·
Textual Content Analysis (8) ·
Visual / Other Content Analysis (1)
Country:
Time period of data collection:
Funder:
Alfred P. Sloan Foundation (1) ·
Arts and Humanities Research Council (1) ·
Australian Copyright Council (1) ·
IPO (1) ·
Intellectual Property Office (1) ·
National Museum Directors’ Council (1) ·
Not stated (3) ·
Office of the United States Trade Representative (1) ·
The Spanish Association of Publishers of Periodical Publications (Asociación Española de Editoriales de Publicaciones Periódicas) (1) ·
WIPO (2) ·
World Intellectual Property Organization (1) ·
∗Support for this research by NBER’s Economics of Digitization and Copyright Initiative is gratefully acknowledged. (1)
Fundamental Issues:
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (15) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (4) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (11) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (11)
Evidence Based Policies:
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (10) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (7) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (4) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (9) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (8)
Data sample size:
Data unit of assessment:
Australian copyright industries (1) ·
Case Studies (1) ·
Company (1) ·
Country (4) ·
Cultural Institution Staff (1) ·
Files (1) ·
Film (1) ·
Forum posts (1) ·
Individual (2) ·
Interview (1) ·
Interviews with content creators (1) ·
Kickstarter projects (1) ·
News Websites (1) ·
Projects (1) ·
Studies (1) ·
Websites (1) ·
Wikipedia pages (1) ·
Wikipedia webpages (1) ·
authors (1) ·
composers and lyricists (1) ·
court records (1) ·
publications per country per year (1) ·
takedown requests (1)
Data material year:
1992-2014 (1) ·
1994-2014 (1) ·
1999 to 2015 (1) ·
2002-2014 (1) ·
2008 to 2014 (1) ·
2009-2014 (1) ·
2010 (1) ·
2011 to 2012 (1) ·
2011-2012 (1) ·
2011-2014 (1) ·
2014 (3) ·
2014-2015 (1) ·
2015 (1) ·
Interviews lasted between 10 and 50 minutes and were conducted with 4 female and 7 male content creators of online commics. The Interviews were conducted on a convention of comic creators (Thought Bubble) in 2013. (1) ·
January - April 2014 (1) ·
Not stated (3)
Data industry:
Advertising (1) ·
Creative, arts and entertainment (7) ·
Cultural education (3) ·
Film and motion pictures (6) ·
Libraries, archives, museums and other cultural activities (4) ·
Photographic activities (2) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (10) ·
Software publishing (5) ·
Sound recording and music publishing (6) ·
Specialised design (1) ·
Television programmes (4)
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