Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year:
2017
& Data collection method :
Focus Groups or
Quantitative data/text mining or
Survey Research (quantitative; e.g. sales/income reporting)
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Related to:
Cluster analysis (1) ·
Correlation and Association (8) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (11) ·
Discourse Analysis (1) ·
Legal Analysis (1) ·
Multivariate Statistics (2) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (3) ·
Quantitative Analysis Methods (2) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Regression Analysis (5) ·
Structural Equation Modeling (1)
Australia (1) ·
Belgium (1) ·
Bulgaria (1) ·
Canada (1) ·
Croatia (1) ·
Finland (1) ·
France (2) ·
Germany (1) ·
Global (1) ·
Hungary (1) ·
Italy (1) ·
Lithuania (1) ·
Mexico (1) ·
Nigeria (1) ·
Norway (1) ·
Portugal (1) ·
Romania (1) ·
Scotland (1) ·
Sweden (1) ·
Turkey (1) ·
Unite States (1) ·
United Kingdom (4) ·
United States (5)
Australia Council (1) ·
Berkeley Center for Law & Technology and the Case Western Reserve University Active Learning Fellowship (1) ·
CREATe (1) ·
CREATe, AHRC Grant Number AH/K000179/1 (1) ·
Canadian Centinnial Scholarship Fund (1) ·
Canadian Library Association (1) ·
Ford Foundation (1) ·
Google Inc. (1) ·
Government of Canada (1) ·
International Development Research Centre (1) ·
National Science Fund of the Bulgarian Ministry of Education, Youth and Science, Contract No DFNI-К01/0002-21.11.2012 (1) ·
Open Society Foundations (1) ·
RCUK via the Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1 (1) ·
SSHRC (1) ·
University of East Anglia (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (7) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (9)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (4) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (7)
Architectural (1) ·
Creative, arts and entertainment (2) ·
Cultural education (3) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (2) ·
PR and communication (1) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (6) ·
Software publishing (4) ·
Sound recording and music publishing (6) ·
Television programmes (1)
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