Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Discipline:
L82: Entertainment • Media
& Data collection method :
Historical Methods or
Longitudinal Study or
Quantitative data/text mining or
Snowball sampling
& Data sample size:
500-2000
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Beebe (2008) (1) ·
Blackburn (2004) (1) ·
Danaher, Dhanasobhon, Smith and Telang (2010) (1) ·
Gowers (2006) (1) ·
Heald (2014) (1) ·
Hong(2007) (1) ·
Liebowitz (2006a) (1) ·
Liebowitz (2008) (1) ·
Netanel (2011) (1) ·
Oberholzer-Gee and Strumpf (2005) (1) ·
Oberholzer-Gee and Strumpf (2007) (2) ·
Oliar and Matich (2013) (1) ·
Pollock (2006) (1) ·
Rob and Waldfogel (2006) (4) ·
Rob and Waldfogel (2007) (1) ·
Rogers and Szamosszegi (2010) (1) ·
Sag (2012) (1) ·
Siwek (2013) (1) ·
Teece (1986) (1) ·
Zentner (2006) (4)
Correlation and Association (4) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (3) ·
Meta-Analysis (1) ·
Qualitative Analysis Methods (1) ·
Quantitative Analysis Methods (1) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Regression Analysis (2) ·
Textual Content Analysis (1)
Comissioned for and sponsored by the National Recording Preservation Board, Library of Congress (1) ·
George F. Baker Foundation (1) ·
Kenan Faculty Fund (1) ·
None (2) ·
Not stated (1) ·
Research Innovation Grant (1) ·
The authors acknowledge the George Mason University’s Center for the Protection of Intellectual Property and its Leonardo da Vinci Research (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (3) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (6) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (5)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (5)
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