Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Longitudinal Study or
Participant Observation
& Data unit of assessment:
Individual
Click on one or more items below to narrow your results.
Butler (2001) (1) ·
Gopal, Bhattacharjee, and Sanders (2005) (1) ·
Gowers (2006) (1) ·
Hargreaves (2011) (1) ·
Hirshleifer (1991 (1) ·
Jones et al. (2004) (1) ·
Kahneman, Knetsch and Thaler (1990) (1) ·
Korobkin (2003) (1) ·
Krishnan et al. (2003) (1) ·
Liebowitz (2006a) (1) ·
Oberholzer-Gee and Strumpf (2005) (1) ·
Rachlinski and Jourden (1998) (1) ·
Shah (2006) (1) ·
Wasko and Faraj (2006) (1)
D7: Analysis of Collective Decision-Making (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
L82: Entertainment • Media (2) ·
L86: Information and Internet Services • Computer Software (1) ·
L8: Industry Studies: Services (2) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O34: Intellectual Property and Intellectual Capital (2) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Other (5)
Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Artists’ Collecting Society (1) ·
Big Innovation Centre (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Newspaper Licensing Association (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
Trading Standards (1) ·
UK Interactive Entertainment (1) ·
UK Music (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (2) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (4)
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