Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Participant Observation or
Quantitative Collection Methods or
Quantitative data/text mining or
Snowball sampling or
Unstructured Interview
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
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Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Artists’ Collecting Society (1) ·
Australian Society of Authors (1) ·
Big Innovation Centre (1) ·
Billboard Chart (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
CJEU website (1) ·
CLA datasets (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Lumen (1) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Newspaper Licensing Association (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Pew Internet Project (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
RIAA (1) ·
RIAJ (1) ·
Recording Industry Association of America (1) ·
Review of Existing Academic and Industries Literature (1) ·
Trading Standards (1) ·
U.S. Bureau of Economic Analysis (1) ·
U.S. Census Bureau (1) ·
UK Interactive Entertainment (1) ·
UK Music (1) ·
US Federal Court Decisions (1)
1978 - 15 January 2018 (1) ·
1978 to 2005 (1) ·
1992-2014 (1) ·
1998-2015 (1) ·
1998-2018 (2) ·
1999 (1) ·
2003-2004 (1) ·
2003-2007 (1) ·
2004 to 2005 (1) ·
2005 to 2006 (1) ·
2006 (1) ·
2006-2013 (1) ·
2009 (1) ·
2010-2013 (1) ·
2011 (2) ·
2011-2012 (2) ·
2012-2013 (1) ·
2012-2016 (1) ·
2013 (1) ·
2013-2014 (1) ·
2014 (2) ·
2014-2016 (1) ·
2015 (2) ·
2016 (1) ·
2016-2017 (1) ·
2017-2018 (1) ·
2019 (1) ·
June - October 2014 (1) ·
Not stated (2) ·
Spring 2013 (1)
CREATe (1) ·
CREATe, AHRC Grant Number AH/K000179/1 (1) ·
Commonwealth of Australia (1) ·
European Commission (1) ·
Google (1) ·
Google Inc. (1) ·
IPO (4) ·
Intellectual Property Office (1) ·
International Intellectual Property Alliance (1) ·
Not stated (1) ·
RCUK Funded Centre for Copyright and New Business Models in the Creative Economy (CREATe) (1) ·
RCUK/CREATe (1) ·
Sloan Foundation (1) ·
The Leverhulme Trust (1) ·
The Sloan Foundation (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
The study was funded by the UK Authors’ Licensing & Collecting Society (ALCS) (1) ·
This research was funded in part by a PSCCUNY grant #67792-00-36 and a Doctoral Student Research Grant from the CUNY Graduate Center. (1) ·
This work was partially supported by the Research Council of Norway through its Centres of Excellence scheme, project number 262762, and through the research project MASHED, project number 249817 (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (27) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (6) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (5) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (10) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (18)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (10) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (12) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (14) ·
E. Fair remuneration (levies; copyright contracts) (5) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (17)
Authors (1) ·
Case Study (1) ·
Company (3) ·
Creators (1) ·
Cultural Heritage Institutions (2) ·
Economic indicators (1) ·
Federal Judgement Opinions (1) ·
Focus Groups (1) ·
Focus group (1) ·
Forum posts (1) ·
Individual (10) ·
Individual Copyright Offences (1) ·
Individual Staff (1) ·
Interviewed author (1) ·
Kickstarter projects (1) ·
Online surveyed author (1) ·
Organisations (1) ·
Responses to Calls for Evidence (1) ·
Responses to calls for evidence (1) ·
Stakeholders (1) ·
Takedown Requests (1) ·
Wikipedia pages (1)
Computer programming (1) ·
Creative, arts and entertainment (14) ·
Cultural education (7) ·
Film and motion pictures (13) ·
Libraries, archives, museums and other cultural activities (3) ·
Photographic activities (6) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (12) ·
Software publishing (9) ·
Sound recording and music publishing (21) ·
Specialised design (1) ·
Television programmes (9)
Showing below up to 38 results in range #1 to #38.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)
A
B
- Beebe (2008)
- Brassell and Goodyer (2015)
- Brøvig-Hanssen and Jones (2021)
- Butler, Aufderheide, Jaszi and Cox (2019)
C
D
E
E cont.
- Erickson, Heald, Homberg, Kretschmer and Mendis (2015)
- European Union Intellectual Property Office (2016)
F
- Favale (2020)
- Favale, Kretschmer and Torremans (2016)
- Favale, Kretschmer and Torremans (2018)
- Fiesler, Feuston and Bruckman (2015)
- Fiesler, Lampe, and Bruckman (2016)
H
- Hagedoorn and Ridder (2012)
- Hooper and Lynch (2012a)
- Hooper and Lynch (2012b)
- Hudson and Kenyon (2007)
I
K
L
M
O
S
- Secker, Gadd and Morrison (2019)
- Silbey (2014b)
- Sinclair and Green (2016)
- Siwek (2009)
- Stobo, Deazley and Anderson (2013)
U