Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Participant Observation or
Quantitative Collection Methods or
Quantitative data/text mining or
Web analytic (online user trace data)
& Data industry:
Specialised design
Click on one or more items below to narrow your results.
Banks and Humphreys (2008) (1) ·
Beebe (2008) (1) ·
Boldrin & Levine (2005) (1) ·
Brooks (2005) (1) ·
Centre for Intellectual Property and Information Law (2006) (1) ·
Farooqui, Goodridge and Haskel (2011) (1) ·
Gowers (2006) (2) ·
Greenhalgh and Rogers (2010) (1) ·
Handke (2010) (1) ·
Hargreaves (2011) (1) ·
Hong (2007b) (1) ·
Hunt, Williams, Nicholas and Rowlands (2009) (1) ·
Leadbeater and Miller (2004) (1) ·
Lippman (2013) (1) ·
Mortimer (2004) (1) ·
Netanel (2011) (1) ·
Oberholzer-Gee and Strumpf (2007) (1) ·
Oliar and Matich (2013) (1) ·
Oriakhogba, 2020 (1) ·
Rob and Waldfogel (2006) (1) ·
Sag (2012) (1) ·
Sissons and Spencer (2012) (1)
A1: General Economics (2) ·
J16: Economics of Gender • Non-labor Discrimination (1) ·
K41: Litigation Process (1) ·
K42: Illegal Behavior and the Enforcement of Law (3) ·
L82: Entertainment • Media (2) ·
L86: Information and Internet Services • Computer Software (1) ·
L8: Industry Studies: Services (1) ·
L: Industrial Organization (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (6) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
O: Economic Development; Technological Change; and Growth (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (9)
Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Artists’ Collecting Society (1) ·
Big Innovation Centre (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Bureau of Labor Statistics (1) ·
Consumer Expenditure Survey (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
European Commission (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Industry (1) ·
Lippman (2013) (1) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
NESTA (1) ·
Newspaper Licensing Association (1) ·
Office for National Statistics (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Policy Reports (1) ·
Pre-existing Academic Research (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
SABIP (1) ·
Trading Standards (1) ·
U.S. Department of Labor (1) ·
UK Interactive Entertainment (1) ·
UK Music (1) ·
WIPO (1)
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (3) ·
Qualitative Analysis Methods (4) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (6) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Regression Analysis (2) ·
Textual Content Analysis (1)
HM Treasury (2) ·
IPO (1) ·
Intellectual Property Office (1) ·
Queen Elizabeth Scholar programme (1) ·
Stanford Institute for Economic Policy Research (1) ·
The authors acknowledge the George Mason University’s Center for the Protection of Intellectual Property and its Leonardo da Vinci Research (1) ·
openAir - African Innovation Research (1) ·
the International Development Research Centre (IDRC) (1) ·
the Social Sciences and Humanities Research Council Canada (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (5) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (4)
Showing below up to 9 results in range #1 to #9.
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