Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Bahanovich, D. (1) ·
Cheng, H. I. (1) ·
Chiou, J. S. (1) ·
Collopy, D. (1) ·
Durham, Y. (1) ·
Fleming, P. (1) ·
Frank N. Magid Associates (1) ·
Hirshleifer, J. (1) ·
Huang, C. Y. (1) ·
Lindgren, S. (1) ·
Searle, N. (1) ·
Smith, V. L. (1) ·
Towse, R. (1) ·
Wang, S. (1) ·
Watson, S. J. (1) ·
Zhu, J. J. H. (1) ·
Zizzo, D. J. (1)
Bahanovich and Collopy (2008) (1) ·
Bromley (1999) (1) ·
Dimanche and Samdahl (1994) (1) ·
Fiske (1992) (1) ·
Foreman (2014) (1) ·
Gantz and Rochester (2005) (1) ·
Hargreaves (2011) (1) ·
Hinduja (2006) (1) ·
Hirshleifer (1991 (1) ·
Hofstede (1983) (1) ·
Krishna (1997) (1) ·
Landes and Posner (1989) (1) ·
Latham (2000) (1) ·
Lessig (2004) (1) ·
Levin et al (2007) (1) ·
Lysonski and Durvasula (2008) (1) ·
Oberholzer-Gee and Strumpf (2007) (1) ·
Ofcom Kantar survey (1) ·
Peacock & Weir (1975) (1) ·
Plant (1934) (1) ·
Porter (2008) (1) ·
Taylor & Towse (1998) (1)
Asia Pulse, 19 December 2000 (1) ·
Blog posts (1) ·
British Music Rights (1) ·
Clarivate Web of Science (1) ·
Communication and Mass Media (1) ·
Compiled from 2003, 2002 and 2001 IIPA ‘Special 301’ Reports, People’s Republic of China (pp. 19, 32 and 26, respectively) (1) ·
EconLit (1) ·
GRAMIX (1) ·
LexisNexis (1) ·
MCPS (1) ·
Monopolies and Mergers Commission (1) ·
Musicians Union (1) ·
Newspaper articles (1) ·
None (1) ·
PPL (1) ·
PRS for Music (1) ·
Piracy map compiled from IIPA 2001 ‘Special 301’ Report: Malaysia (1) ·
PsychInfo (1) ·
SAMI (1) ·
University of Hertfordshire (1) ·
VPL (1) ·
Yo Yo Games Store (1)
Case Study (3) ·
Experimental (Field) (1) ·
Experimental (Laboratory) (1) ·
Participant Observation (1) ·
Qualitative Collection Methods (4) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (3) ·
Quantitative data/text mining (2) ·
Semi-Structured Interview (1) ·
Snowball sampling (1) ·
Survey Research (quantitative; e.g. sales/income reporting) (2) ·
Unstructured Interview (1)
City University of Hong Kong (1) ·
ESRC (Media Economics & Media Culture Programme) L 12625 101 1 (1) ·
None (1) ·
None Stated (1) ·
Research Councils UK (1) ·
This research is an ESRC, AHRC and IPO funded research project in the form of a placement fellowship. The fellowship places the researcher (Dr. Searle) in the Economics, Research and Evidence Team at IPO offices in London. This work was supported by the Economic and Social Research Council (grant number RES-173- 27-0219). It occurred in conjunction with the Scottish Funding Council funded Moving Targets project. (1) ·
UK Music (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (6)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (1) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (7)
1950-2000 (1) ·
1989-1995 (1) ·
1998 (1) ·
2000 (1) ·
2003-2013 (1) ·
2008-2009 (1) ·
2009 (2) ·
2011 (1)
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