Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Evidence Based Policies:
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability)
& Data unit of assessment:
Individual
& Data industry:
Creative, arts and entertainment
Click on one or more items below to narrow your results.
ALCS 2007 (1) ·
Butler (2000) (1) ·
Cummings (2013) (1) ·
Fagundes (2012) (1) ·
Frey and Pommerehne (1989) (1) ·
Geist (2006) (1) ·
Goldstein (2003) (1) ·
Jones (2000) (1) ·
Kheria (2013) (1) ·
Kim (2005) (1) ·
Kretschmer and Hardwick (2007) (2) ·
Rainie (2000) (1) ·
Rohter (2006) (1) ·
Rosenblatt (2011) (1) ·
Shah and Tripsas (2007) (1) ·
Towse (2001) (1)
K2: Regulation and Business Law (1) ·
L82: Entertainment • Media (2) ·
L8: Industry Studies: Services (2) ·
L: Industrial Organization (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (4) ·
O38: Government Policy (1) ·
Z11: Economics of the Arts and Literature (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (6) ·
None (2)
Case Study (1) ·
Qualitative Collection Methods (4) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (2) ·
Quantitative data/text mining (2) ·
Semi-Structured Interview (3) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (3)
Correlation and Association (2) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (5) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (1) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (2) ·
Quantitative Analysis Methods (2) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Regression Analysis (1) ·
Textual Content Analysis (4)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (5) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
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