Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data analysis method:
Quantitative Analysis Methods
& Evidence Based Policies:
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability)
& Data sample size:
10-50
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Arthur, W.B. (1994) (1) ·
BiB TV Programming Source Book (1) ·
Booksinprint.com (1) ·
Boxofficemojo.com (2) ·
Business Software Alliance (2) ·
CDBaby (1) ·
COMPUSTAT (1) ·
Copyright renewal records (1) ·
Daniel, E. and Klimis, G.M. (1999) (1) ·
Dolfsma, W. (2000) (1) ·
Dun and Bradstreet (1) ·
EMusic (1) ·
Economist Intelligence Unit (1) ·
European Audivisual Observatory (1) ·
European Social Survey (1) ·
Film Index International (1) ·
Global Market Information Database (2) ·
IMDbPro (1) ·
International Federation of the Phonographic Industry (1) ·
International Video Federation (1) ·
Moody's (1) ·
Movie2k.to (1) ·
National Music Publishers Association (1) ·
Phonolog data base (1) ·
Publishers Weekly (1) ·
ScreenDaily.com (1) ·
Software and Information Industry Association (1) ·
SoundScan (1) ·
TuneCore (1) ·
U.S. Census Bureau (1) ·
Various ananymous retailers' websites (1) ·
Viacom (1) ·
WIPO (1) ·
Ward's (1) ·
World Bank's World Development Indicators (1) ·
World Governance Indicator Project (1) ·
World Income Inequality Database (1) ·
World Telecommunication/Information and Communication Technologies Indicators (1) ·
World Values Survey (1)
Case Study (2) ·
Focus Groups (1) ·
Longitudinal Study (4) ·
Participant Observation (1) ·
Qualitative Collection Methods (16) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (24) ·
Quantitative data/text mining (14) ·
Semi-Structured Interview (12) ·
Snowball sampling (2) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (8) ·
Survey Research (quantitative; e.g. sales/income reporting) (12) ·
Unstructured Interview (2) ·
Web analytic (online user trace data) (2)
Argentina (2) ·
Australia (5) ·
Brazil (1) ·
Canada (1) ·
Chile (1) ·
Colombia (1) ·
Czech Republic (1) ·
Denmark (1) ·
European Union (6) ·
Finland (2) ·
France (3) ·
Germany (2) ·
Global (3) ·
Greece (1) ·
Hong Kong (2) ·
Hungary (1) ·
Iceland (1) ·
India (1) ·
Indonesia (1) ·
Ireland (1) ·
Israel (1) ·
Italy (1) ·
Japan (2) ·
Malaysia (1) ·
New Zealand (3) ·
Norway (2) ·
OECD (1) ·
Poland (2) ·
Portugal (1) ·
Singapore (2) ·
Spain (1) ·
Sweden (1) ·
Switzerland (1) ·
The Netherlands (1) ·
Turkey (1) ·
United Kingdom (4) ·
United States (13) ·
Unknown (1) ·
Venezuela (1)
1922-1941 (1) ·
1984 - 2013 (1) ·
1991-2002 (1) ·
1994 (1) ·
1994-1998 (1) ·
1996-2000 (1) ·
1996-2008 (1) ·
1998-1999 (1) ·
2001 (1) ·
2003-2012 (1) ·
2004 to 2005 (1) ·
2004-2005 (1) ·
2006 (2) ·
2008 to 2014 (1) ·
2009 - 2012 (1) ·
2011 (1) ·
2011 to 2012 (1) ·
2014 (2) ·
2015 (2) ·
December 2007 (1) ·
February to October 2006 (1) ·
July 2003 to July 2006 (1) ·
November 2009 (1) ·
Prior to 2007 (1)
Alfred P. Sloan Foundation (2) ·
Center for Global Partnership (1) ·
Congressional Research Service (1) ·
European Commission (2) ·
Intellectual Property Office (1) ·
NASA, the OECD, the MIT Center for Coordination Science, the Center for eBusiness@MIT under a grant from Fleet Bank, and the Stanford Computer Industry Project (1) ·
None stated (1) ·
Not Stated (3) ·
The author gratefully acknowledges the generous support of the New Zealand Law Foundation for this research project. (1) ·
University of Houston Law Center’s Institute for Intellectual Property & Information Law’s 2012-2013 Sponsored Scholarship Grant for the Legal Academy (1) ·
WHO (1) ·
∗Support for this research by NBER’s Economics of Digitization and Copyright Initiative is gratefully acknowledged. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (18) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (10) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (19) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (9)
Articles (1) ·
Book title price (1) ·
CD title price (1) ·
Case Studies (1) ·
Cases (1) ·
Chefs (1) ·
Country (7) ·
Cultural Heritage Institutions (3) ·
Cultural Institutions (1) ·
Files (1) ·
Film (3) ·
Firm (1) ·
Focus Groups (1) ·
Focus of the study is the domestic market for recorded music in the USA. (1) ·
Individual (6) ·
Individual Staff (1) ·
Individuals (1) ·
Interview (1) ·
Journals (1) ·
Multinational music firms (1) ·
Music services (1) ·
Observations (1) ·
Publishers (1) ·
Questionnaire (1) ·
Song (1) ·
Websites (1) ·
Work made for hire cases (1) ·
Years (1) ·
movie-by-weekend-by-country revenue observations (1)
1914-1947 (1) ·
1922-1941 (1) ·
1984 to 2013 (1) ·
1989-2014 (1) ·
1990 to 2011 (1) ·
1991-2002 (1) ·
1994 (1) ·
1996-2000 (1) ·
1996-2008 (1) ·
1998 (1) ·
1998-1999 (1) ·
2000-2008 (1) ·
2001 (1) ·
2001-2008 (1) ·
2003-2007 (1) ·
2003-2012 (1) ·
2004 to 2005 (1) ·
2004-2005 (1) ·
2006 (1) ·
2008 to 2014 (1) ·
2009 (2) ·
2009 to 2012 (1) ·
2011 to 2012 (1) ·
2012 (1) ·
2013 (1) ·
2014 (1) ·
2015 (1) ·
February to October 2006 (1) ·
July 2003 to 2006 (1) ·
July 2003 to July 2006 (1) ·
Not stated (1) ·
Prior to December 2007 (1)
Creative, arts and entertainment (3) ·
Cultural education (4) ·
Film and motion pictures (8) ·
Libraries, archives, museums and other cultural activities (4) ·
Photographic activities (4) ·
Publishing of books, periodicals and other publishing (7) ·
Software publishing (2) ·
Sound recording and music publishing (7) ·
Specialised design (1) ·
Television programmes (1)
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