Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Government or policy study:
Yes
& Evidence Based Policies:
E. Fair remuneration (levies; copyright contracts)
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Author:
Related to:
A13: Relation of Economics to Social Values (1) ·
A1: General Economics (1) ·
B2: History of Economic Thought since 1925 (1) ·
D60: General (1) ·
D83: Search • Learning • Information and Knowledge • Communication • Belief (1) ·
E01: Measurement and Data on National Income and Product Accounts and Wealth • Environmental Accounts (1) ·
E22: Capital • Investment • Capacity (1) ·
K12: Contract Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
K: Law and Economics (2) ·
L11: Production; Pricing; and Market Structure • Size Distribution of Firms (1) ·
L1: Market Structure; Firm Strategy; and Market Performance (1) ·
L5: Regulation and Industrial Policy (1) ·
L80: General (1) ·
L82: Entertainment • Media (3) ·
L83: Sports • Gambling • Restaurants • Recreation • Tourism (1) ·
L88: Government Policy (1) ·
L8: Industry Studies: Services (1) ·
M2: Business Economics (1) ·
N: Economic History (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (3) ·
O34: Intellectual Property and Intellectual Capital (19) ·
O38: Government Policy (5) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (2) ·
O47: Measurement of Economic Growth • Aggregate Productivity • Cross-Country Output Convergence (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (22)
Australian Bureau of Statistics (2013) (1) ·
Australian Bureau of Statistics Census 2001, 2006 (1) ·
Case law (1) ·
Community Innovation Survey (1) ·
Copyright Levies Reform Alliance (1) ·
European Commission (1) ·
European Parliament Committees (1) ·
Literature review (1) ·
Music Publishers Association (2014) (1) ·
Nokia (1) ·
OECD (GDP) (1) ·
Office for National Statistics (1) ·
PRS for Music (2) ·
Phonographic Performance Limited (1) ·
Revenue data (1) ·
Review of Existing Academic and Industries Literature (2) ·
Submission of evidence by interested parties (1) ·
Various (1) ·
YOUNISON (1)
Case Study (3) ·
Document Research (3) ·
Ethnography (1) ·
Focus Groups (2) ·
Historical Methods (2) ·
Life History (1) ·
Qualitative Collection Methods (10) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (5) ·
Quantitative data/text mining (3) ·
Semi-Structured Interview (3) ·
Structured Interview (3) ·
Survey Research (qualitative; e.g. consumer preferences) (5) ·
Survey Research (quantitative; e.g. sales/income reporting) (11) ·
Unstructured Interview (2)
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (5) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (9) ·
Meta-Analysis (1) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (8) ·
Qualitative Coding / Sorting (e.g. of interview data) (4) ·
Quantitative Analysis Methods (6) ·
Quantitative content analysis (e.g. text or data mining) (4) ·
Regression Analysis (5) ·
Textual Content Analysis (6)
Country:
Arts and Humanities Research Council (1) ·
Australia Council (1) ·
Australia Council for the Arts (1) ·
Consumer Focus (1) ·
EU Commission’s Directorate General for Communications Networks, Content and Technology (1) ·
Economic and Social Research Council (ESRC) (grant RES-173-27-0220) (1) ·
European Commission (2) ·
European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs (1) ·
HM Treasury (1) ·
House of Commons (1) ·
IPO (3) ·
Intellectual Property Office (1) ·
The Creators’ Rights Alliance (1) ·
This Report was prepared for APRA AMCOS, PPCA, Copyright Agency│Viscopy, Foxtel, News Corp Australia and Screenrights. (1) ·
United States Copyright Office (1) ·
World Intellectual Property Organization (2) ·
de Thuiskopie (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (19) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (10) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (7) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (9) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
Art Market Professionals (1) ·
Artists (1) ·
Authors and performers (1) ·
Books (1) ·
Collecting Societies (1) ·
Company (1) ·
Copyright legal system (1) ·
Film (1) ·
Individual (1) ·
Legal experts (1) ·
Music (1) ·
Publications (1) ·
Software (1) ·
Stakeholders (1) ·
Systems of fair use in copyright (1)
Creative, arts and entertainment (10) ·
Cultural education (1) ·
Film and motion pictures (5) ·
Libraries, archives, museums and other cultural activities (2) ·
Programming and broadcasting (3) ·
Publishing of books, periodicals and other publishing (8) ·
Software publishing (3) ·
Sound recording and music publishing (10) ·
Television programmes (3)
Showing below up to 22 results in range #1 to #22.
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- Camerani, Grassano, Chavarro and Tang (2013)
- Centre for Intellectual Property and Information Law (2006)
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