Browse data: Studies
From Copyright EVIDENCE
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Studies > Evidence Based Policies :
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) or
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability)
& Data sample size:
0-10
& Data industry:
Cultural education
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Aplin and Bently (2020) (1) ·
Aufderheide and Jaszi (2018) (1) ·
Coates et al (2009) (1) ·
Corbett (2011) (1) ·
Dryden (2008) (1) ·
Ficsor (2002) (1) ·
Geiger, Frosio and Izyumenko (2020) (1) ·
Ginsburg (2001) (1) ·
Hirtle (2006) (1) ·
Hudson (2017) (1) ·
Lessig (1996) (1) ·
Pessach (2007) (1) ·
Quintais (2020), Blythe (2020) (1) ·
Ricketson (1999) (1) ·
Ricketson (2003b) (1) ·
Rothman (2007) (1) ·
Samuelson (2020) (1) ·
Sinclair (1984) (1) ·
Spoor, Verkade and Visser (2019) (1) ·
Stobo, Deazley and Anderson (2013) (2) ·
Vuopala (2010) (1) ·
Wotherspoon (2003) (1)
Case Study (3) ·
Document Research (1) ·
Focus Groups (1) ·
Qualitative Collection Methods (5) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (4) ·
Quantitative data/text mining (3) ·
Semi-Structured Interview (2) ·
Survey Research (quantitative; e.g. sales/income reporting) (1)
Confirmatory Factor Analysis (CFA) (1) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (4) ·
Qualitative Analysis Methods (4) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (4) ·
Quantitative content analysis (e.g. text or data mining) (4) ·
Textual Content Analysis (6)
Horizon 2020 Grant Agreement No. 870626 (1) ·
RCUK Funded Centre for Copyright and New Business Models in the Creative Economy (CREATe) (1) ·
The author gratefully acknowledges the generous support of the New Zealand Law Foundation for this research project. (1) ·
World Intellectual Property Organization (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (7) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4)
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