Browse data: Studies
From Copyright EVIDENCE
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- Studies (908)
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Danbury, R. (1) ·
European Commission (1) ·
European Union Intellectual Property Office (1) ·
Goodridge, P. (1) ·
Guibault, L. (1) ·
Handke, C. (1) ·
Haskel, J. (1) ·
Hester Wijminga (1) ·
Hooper, R. (2) ·
IViR (1) ·
Intellectual Property Office (2) ·
Joost Poort (1) ·
Kantar Media (1) ·
Lynch, R. (2) ·
Marije van der Jagt (1) ·
Mitra-Kahn, B. (1) ·
Ofcom (1) ·
Office of Harmonization in the Internal Market (1) ·
PricewaterhouseCoopers (1) ·
Salamanca, O. (1) ·
Towse, R. (1) ·
UK Intellectual Property Office (1) ·
Wouter Klomp (1)
Australian Law Reform Commission (2013) (1) ·
BASCAP (2011) (1) ·
Barker (2013b) (1) ·
Besen and Kirby (1989) (1) ·
Chamberlin, Clayton and Farooqui (2007) (1) ·
Dusollier et al. (2014) (1) ·
European Economics and IViR (2015) (1) ·
European Observatory on Infringement of IPRs (2015) (1) ·
Goodridge and Haskel (2011) (1) ·
Gowers (2006) (1) ·
Hargreaves (2011) (2) ·
Hooper and Lynch (2012) (1) ·
Kretschmer, Bently, Singh and Cooper (2011) (1) ·
Kretschmer (1999) (1) ·
Merges (1996) (1) ·
None (1) ·
OHIM (2013b) (1) ·
PricewaterhouseCoopers (2015) (1) ·
Rogers and Szamosszegi (2010) (1) ·
Towse (2001) (1) ·
Watt (2000) (1)
A10: General (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (1) ·
D42: Monopoly (1) ·
K42: Illegal Behavior and the Enforcement of Law (3) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (2) ·
L31: Nonprofit Institutions • NGOs (1) ·
L82: Entertainment • Media (1) ·
M37: Advertising (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (13) ·
O38: Government Policy (4) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Other (15)
Annual Survey of Hours and Earnings (1) ·
Australian Bureau of Statistics (2013) (1) ·
Author's Licensing & Collecting Society (1) ·
British Film Institute (1) ·
Case law (1) ·
Copyright Licensing Society (1) ·
OECD (GDP) (1) ·
OFCOM (1) ·
PRS for Music (1) ·
Publishers Association (1) ·
Revenue data (1) ·
Review of Existing Academic and Industries Literature (1) ·
UK Film Council (1)
Case Study (3) ·
Document Research (1) ·
Focus Groups (2) ·
Participant Observation (1) ·
Qualitative Collection Methods (7) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (5) ·
Quantitative data/text mining (4) ·
Semi-Structured Interview (3) ·
Structured Interview (2) ·
Survey Research (qualitative; e.g. consumer preferences) (4) ·
Survey Research (quantitative; e.g. sales/income reporting) (7) ·
Unstructured Interview (2)
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (4) ·
Discourse Analysis (1) ·
Legal Analysis (4) ·
Qualitative Analysis Methods (6) ·
Qualitative Coding / Sorting (e.g. of interview data) (6) ·
Quantitative Analysis Methods (4) ·
Quantitative content analysis (e.g. text or data mining) (4) ·
Regression Analysis (2) ·
Textual Content Analysis (2) ·
Visual / Other Content Analysis (1)
Australia (2) ·
Austria (1) ·
Belgium (2) ·
Burkina Faso (1) ·
Canada (2) ·
Caribbean Netherlands (1) ·
Croatia (1) ·
Czech Republic (1) ·
Denmark (3) ·
Estonia (1) ·
European Union (6) ·
Finland (2) ·
France (2) ·
Germany (3) ·
Greece (1) ·
Hungary (2) ·
Ireland (1) ·
Italy (2) ·
Japan (1) ·
Latvia (1) ·
Lithuania (1) ·
Norway (1) ·
Paraguay (1) ·
Poland (2) ·
Portugal (1) ·
Russian Federation (1) ·
Singapore (1) ·
Slovakia (1) ·
Slovenia (1) ·
Spain (2) ·
Sweden (1) ·
Switzerland (1) ·
The Netherlands (1) ·
Turkey (1) ·
Ukraine (1) ·
United Kingdom (10) ·
United States (4)
Arts and Humanities Research Council (1) ·
EU Commission’s Directorate General for Communications Networks, Content and Technology (1) ·
European Commission (2) ·
IPO (3) ·
Intellectual Property Office (4) ·
The Office for Harmonization in the Internal market (1) ·
This Report was prepared for APRA AMCOS, PPCA, Copyright Agency│Viscopy, Foxtel, News Corp Australia and Screenrights. (1) ·
World Intellectual Property Organization (1) ·
de Thuiskopie (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (10) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (7) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (9)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (5) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (7) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (8)
Creative, arts and entertainment (3) ·
Cultural education (2) ·
Film and motion pictures (8) ·
Photographic activities (2) ·
Programming and broadcasting (4) ·
Publishing of books, periodicals and other publishing (8) ·
Software publishing (3) ·
Sound recording and music publishing (8) ·
Television programmes (5) ·
Video game publishing (1)
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