Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year:
2012
& Data Type:
Secondary data
& Data collection method:
Quantitative Collection Methods
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Anderson (2006) (1) ·
Andre´s and Asongu (2013) (1) ·
Asongu, 2012b (1) ·
Beyer (1970) (1) ·
Boldrin and Levine (2008) (1) ·
Brynjolfsson, Hu, and Simester (2011) (1) ·
Fisher (2008) (1) ·
Giblin (2012) (1) ·
Landes and Posner (1989) (1) ·
Liebowitz (2006a) (1) ·
Litman (2002) (1) ·
Milton (1667) (1) ·
Oberholzer-Gee and Strumpf (2007) (1) ·
Peitz and Waelbroeck (2006) (1) ·
Pietz and Waelbroeck (2004) (1) ·
Rob and Waldfogel (2006) (1) ·
Rosenblatt (2004) (1) ·
Schiller (1791) (1) ·
Schumpeter (1934) (1) ·
Waldfogel (2010) (1) ·
Zentner (2005) (1)
A11: Role of Economics • Role of Economists • Market for Economists (1) ·
A1: General Economics (1) ·
D4: Market Structure and Pricing (1) ·
K11: Property Law (1) ·
K1: Basic Areas of Law (1) ·
K23: Regulated Industries and Administrative Law (1) ·
L82: Entertainment • Media (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (3) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
O: Economic Development; Technological Change; and Growth (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (4) ·
None (2)
ALCS survey 2007 (1) ·
AfDB (2012) (1) ·
Australia Council study of practising professional artists (2003) (1) ·
Austrian composers report (1993) (1) ·
Billboard Chart (1) ·
Bundesverband der Phonographischen Wirtschaft (1) ·
Business Software Alliance (2010) (1) ·
DACS study 2011 (1) ·
Finnish music business study (2003) (1) ·
German Tax Data (1) ·
Google (1) ·
IFPI (1) ·
International Game Developers Association (1) ·
Künstlersozialkasse insurance data (1) ·
MCC Report (1) ·
Motion Picture Association (1) ·
Musicians and the Internet (2004) (1) ·
Nielsen SoundScan (1) ·
Pew Study of American Artists (1) ·
Society of Authors (1) ·
Study of self-employed German authors and artists (2006) (1) ·
Various music magazines and websites (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (1) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (1) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
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