Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year:
2012
& Data collection method:
Quantitative Collection Methods
& Data analysis method:
Quantitative Analysis Methods
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A10: General (1) ·
A11: Role of Economics • Role of Economists • Market for Economists (3) ·
A1: General Economics (3) ·
A21: Pre-college (1) ·
C91: Laboratory; Individual Behavior (1) ·
C9: Design of Experiments (1) ·
C: Mathematical and Quantitative Methods (1) ·
D01: Microeconomic Behavior: Underlying Principles (2) ·
D03: Behavioral Microeconomics • Underlying Principles (2) ·
D4: Market Structure and Pricing (1) ·
D: Microeconomics (2) ·
H41: Public Goods (1) ·
H4: Publicly Provided Goods (1) ·
H: Public Economics (1) ·
K00: General (1) ·
K0: General (1) ·
K11: Property Law (3) ·
K1: Basic Areas of Law (3) ·
K23: Regulated Industries and Administrative Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (7) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (2) ·
L17: Open Source Products and Markets (1) ·
L1: Market Structure; Firm Strategy; and Market Performance (2) ·
L82: Entertainment • Media (2) ·
L86: Information and Internet Services • Computer Software (2) ·
L8: Industry Studies: Services (1) ·
M31: Marketing (1) ·
O17: Formal and Informal Sectors • Shadow Economy • Institutional Arrangements (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (4) ·
O34: Intellectual Property and Intellectual Capital (10) ·
O38: Government Policy (1) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (4) ·
O: Economic Development; Technological Change; and Growth (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (17) ·
None (4)
ALCS survey 2007 (1) ·
AfDB (2012) (1) ·
Australia Council study of practising professional artists (2003) (1) ·
Austrian composers report (1993) (1) ·
Billboard Chart (1) ·
Boxofficemojo.com (1) ·
Business Software Alliance (1) ·
Business Software Alliance (2010) (1) ·
DACS study 2011 (1) ·
Finnish music business study (2003) (1) ·
German Tax Data (1) ·
Google (1) ·
IFPI (1) ·
International Game Developers Association (1) ·
Künstlersozialkasse insurance data (1) ·
MCC Report (1) ·
Motion Picture Association (1) ·
Musicians and the Internet (2004) (1) ·
Nielsen SoundScan (1) ·
Pew Study of American Artists (1) ·
Review of Existing Academic and Industries Literature (3) ·
ScreenDaily.com (1) ·
Society of Authors (1) ·
Study of self-employed German authors and artists (2006) (1) ·
Various music magazines and websites (1) ·
World Bank's World Development Indicators (1) ·
World Governance Indicator Project (1) ·
World Income Inequality Database (1) ·
World Telecommunication/Information and Communication Technologies Indicators (1)
Africa (1) ·
Argentina (1) ·
Australia (2) ·
Austria (1) ·
Brazil (1) ·
Canada (2) ·
Denmark (1) ·
England (1) ·
European Union (1) ·
Finland (1) ·
France (2) ·
Germany (2) ·
Global (3) ·
Hong Kong (1) ·
Iceland (1) ·
Ireland (1) ·
Italy (1) ·
New Zealand (2) ·
Norway (1) ·
Poland (1) ·
Spain (1) ·
Switzerland (2) ·
Thailand (1) ·
The Netherlands (2) ·
Turkey (1) ·
United Kingdom (4) ·
United States (11) ·
Unknown (1)
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
Batten Institute (1) ·
Google (1) ·
Intellectual Property Office (1) ·
None (2) ·
Not Stated (1) ·
Not stated (1) ·
University of Virginia Darden School of Business (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (10) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (5) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (6) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (13)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (5) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (7) ·
E. Fair remuneration (levies; copyright contracts) (4) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (13)
Album (1) ·
Articles (1) ·
Artist (1) ·
Books (1) ·
Company (1) ·
Country (2) ·
Film (1) ·
Individual (8) ·
Individual data (1) ·
Journals (1) ·
Music critics' rankings (1) ·
Observations (1) ·
Publishers (1) ·
University students (2) ·
Websites (1) ·
Years (1) ·
movie-by-weekend-by-country revenue observations (1)
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