Browse data: Studies
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- Studies (909)
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Andre´s and Asongu (2013) (1) ·
Asongu, 2012b (1) ·
Barten (2007) (1) ·
Beebe (2008) (1) ·
Berns and Frey (2005) (1) ·
Beyer (1970) (1) ·
Buccafusco and Sprigman (2010) (2) ·
Buccafusco and Sprigman (2011) (2) ·
Chamberlin, Clayton and Farooqui (2007) (1) ·
Coase (1960) (1) ·
Fisk (2006) (1) ·
Gayer and Shy (2006) (1) ·
Geist (2006) (1) ·
Golden (2007) (1) ·
Goodridge and Haskel (2011) (1) ·
Hovenkamp (1991) (1) ·
Kheria (2013) (1) ·
Kretschmer, Bently, Singh and Cooper (2011) (1) ·
Kretschmer and Hardwick (2007) (1) ·
Landes and Posner (1989) (1) ·
Landes and Posner (2003) (2) ·
Lessig (2004) (1) ·
Leval (1990) (1) ·
Liebowitz (1985) (1) ·
Milton (1667) (1) ·
Peitz and Waelbroeck (2006a) (1) ·
Samuelson (2009) (1) ·
Schiller (1791) (1) ·
Shapiro and Varian (1999) (1) ·
Tanner (2004) (1) ·
Towse (2001) (1) ·
Yoon (2002) (1)
A10: General (1) ·
A11: Role of Economics • Role of Economists • Market for Economists (2) ·
A14: Sociology of Economics (1) ·
A1: General Economics (3) ·
C91: Laboratory; Individual Behavior (1) ·
C9: Design of Experiments (1) ·
C: Mathematical and Quantitative Methods (1) ·
D03: Behavioral Microeconomics • Underlying Principles (1) ·
D: Microeconomics (1) ·
K11: Property Law (2) ·
K1: Basic Areas of Law (2) ·
K41: Litigation Process (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (2) ·
L82: Entertainment • Media (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (6) ·
O38: Government Policy (1) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (2) ·
O: Economic Development; Technological Change; and Growth (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (9) ·
None (1)
ALCS survey 2007 (1) ·
AfDB (2012) (1) ·
Annual Survey of Hours and Earnings (1) ·
Australia Council study of practising professional artists (2003) (1) ·
Austrian composers report (1993) (1) ·
Author's Licensing & Collecting Society (1) ·
British Film Institute (1) ·
Business Software Alliance (2010) (1) ·
Copyright Licensing Society (1) ·
DACS study 2011 (1) ·
Finnish music business study (2003) (1) ·
German Tax Data (1) ·
Künstlersozialkasse insurance data (1) ·
LexisNexis (1) ·
MCC Report (1) ·
Martindale-Hubbell Directory (1) ·
Musicians and the Internet (2004) (1) ·
OFCOM (1) ·
PRS for Music (1) ·
Pew Study of American Artists (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
Society of Authors (1) ·
Study of self-employed German authors and artists (2006) (1) ·
UK Film Council (1)
Archival Research (1) ·
Case Study (1) ·
Experimental (Laboratory) (1) ·
Qualitative Collection Methods (4) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (5) ·
Quantitative data/text mining (3) ·
Semi-Structured Interview (2) ·
Survey Research (quantitative; e.g. sales/income reporting) (2)
Correlation and Association (2) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (5) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (1) ·
Multivariate Statistics (2) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (6) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Regression Analysis (3) ·
Structural Equation Modeling (1) ·
Textual Content Analysis (1)
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
Batten Institute (1) ·
Google (1) ·
IPO (1) ·
None (1) ·
University of Virginia Darden School of Business (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (5) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (1) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (4) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
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