Browse data: Studies
From Copyright EVIDENCE
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Committee for the Individual Artists’ Inquiry (1983) (1) ·
Hargreaves (2011) (1) ·
IP Crime Annual Report (2012-2013) (2) ·
IP Crime Annual Report (2013-2014) (2) ·
IP Crime Annual Report (2014-2015) (2) ·
IP Crime Annual Report (2015-2016) (2) ·
IP Crime Annual Report (2015-2017) (1) ·
Peukert (2016) (1) ·
Rosati (2016) (1) ·
Throsby and Hollister (2003) (1) ·
Throsby and Mills (1989) (1) ·
Throsby and Thompson (1994) (1) ·
Throsby and Zednik (2010) (1) ·
Tworek and Buschow (2016) (1) ·
Van Eechoud (2017) (1) ·
Van Eechoud and Guiabult (2016) (1) ·
Van Eechoud et al. (2009) (1) ·
Xalabarder (2014) (2) ·
Zalabarder (2016) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
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