Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1982 or
1993 or
2005 or
2008 or
2014
& Data industry :
Photographic activities or
Specialised design
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Astle and Muir (2002) (1) ·
Bahanovich and Collopy (2009) (1) ·
Banks and Humphreys (2008) (1) ·
Beebe (2008) (1) ·
Beebe (2014) (1) ·
CEBR (2000) (1) ·
Corbett (2011) (1) ·
Demers (2006) (1) ·
DiCola and McLeod (2011) (1) ·
Landes and Posner (2003) (1) ·
Leadbeater and Miller (2004) (1) ·
MacIntyre (1981) (1) ·
Mazzone (2011) (1) ·
Netanel (2011) (1) ·
None Cited (1) ·
OECD (2008) (1) ·
Ofcom. (2012) (1) ·
Oliar (2006) (1) ·
Oliar and Matich (2013) (1) ·
Raustiala and Sprigman (2012) (1) ·
Sag (2012) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Tehranian (2011) (1) ·
Vuopala (2010) (1) ·
Zimmerman (2011) (1)
B4: Economic Methodology (1) ·
K41: Litigation Process (1) ·
K42: Illegal Behavior and the Enforcement of Law (3) ·
K: Law and Economics (1) ·
L82: Entertainment • Media (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (8) ·
O38: Government Policy (2) ·
Other (8)
Case Study (3) ·
Document Research (2) ·
Qualitative Collection Methods (2) ·
Qualitative content/text mining (3) ·
Quantitative Collection Methods (2) ·
Quantitative data/text mining (3) ·
Semi-Structured Interview (3) ·
Snowball sampling (1) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (3) ·
Unstructured Interview (1)
Descriptive statistics (counting; means reporting; cross-tabulation) (1) ·
Discourse Analysis (2) ·
Legal Analysis (3) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (4) ·
Quantitative Analysis Methods (2) ·
Quantitative content analysis (e.g. text or data mining) (4) ·
Textual Content Analysis (3)
Australian Government (1) ·
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
Federation Against Copyright Theft (1) ·
IPO (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
The authors acknowledge the George Mason University’s Center for the Protection of Intellectual Property and its Leonardo da Vinci Research (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (4)
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