Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Besen and Kirby (1989) (2) ·
Gowers (2006) (1) ·
Hirshleifer (1991 (1) ·
Hoorn (2006) (1) ·
Hugenhaltz (2000) (1) ·
IFFRO (2007) (1) ·
Landes and Posner (1989) (2) ·
Lessig (1998) (1) ·
Liebowitz (1985) (2) ·
Novos and Waldman (1984) (1) ·
Novos and Wladman (1984) (1) ·
Parker and Scotchmer (2005) (1) ·
Takeyama (1994) (2) ·
Van Gompel (2007) (1) ·
Watt (2000) (1) ·
White (2007) (1)
D42: Monopoly (1) ·
K39: Other (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
L11: Production; Pricing; and Market Structure • Size Distribution of Firms (1) ·
L12: Monopoly • Monopolization Strategies (1) ·
L13: Oligopoly and Other Imperfect Markets (1) ·
L82: Entertainment • Media (2) ·
L86: Information and Internet Services • Computer Software (3) ·
L8: Industry Studies: Services (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (2) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Other (7)
ECJ (1) ·
Indian Music Industry (IMI) (1) ·
Review of Existing Academic and Industries Literature (2) ·
Various (1) ·
‘2000 Global Software Piracy Report’, conducted by International Planning and Research Corporation (IPR) for the Business Software Alliance (BSA) and Software and Information Industry Association (SIIA). (1)
Confirmatory Factor Analysis (CFA) (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (1) ·
Ethnographic/narrative analysis (1) ·
Qualitative Analysis Methods (2) ·
Quantitative Analysis Methods (5) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Textual Content Analysis (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (4) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (1) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (4)
Computer programming (1) ·
Creative, arts and entertainment (1) ·
Cultural education (1) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (1) ·
Publishing of books, periodicals and other publishing (1) ·
Software publishing (1) ·
Sound recording and music publishing (1)
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