Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1982 or
1999 or
2005 or
2017
& Government or policy study:
Yes
& Evidence Based Policies :
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) or
Other
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Beckles, T. (1) ·
Bently, L. (1) ·
Brooks, T. (1) ·
Bryce, J. (1) ·
Choi, C. J. (1) ·
Commission of the European Communities (1) ·
Dudenbostel, T. (1) ·
Frosio, G. F. (1) ·
Heins, M. (1) ·
IP Crime Group (2) ·
Klimis, G. M. (1) ·
Kretschmer, M. (2) ·
Merz, J. F. (1) ·
Moreno, M. (1) ·
Petetskaya, K. (1) ·
Radauer, A. (1) ·
Rutter, J. (1) ·
Throsby, D. (1) ·
Van Eechoud, M. (1)
Abrahamson and Fombrun (1994) (1) ·
Atkinson Roberts (2004) (1) ·
Bovasso (1996) (1) ·
Burt (1987) (1) ·
Cap Gemini (2004) (1) ·
Committee for the Individual Artists’ Inquiry (1983) (1) ·
Garner (2005) (1) ·
Gowers (2006) (1) ·
Hargreaves (2011) (1) ·
IP Crime Annual Report (2012-2013) (2) ·
IP Crime Annual Report (2013-2014) (2) ·
IP Crime Annual Report (2014-2015) (2) ·
IP Crime Annual Report (2015-2016) (2) ·
IP Crime Annual Report (2015-2017) (1) ·
Jones, Hesterly, and Borgatti (1997) (1) ·
Kettler and Towse (2002) (1) ·
Light (2005) (1) ·
None Cited (1) ·
Ogbu (2003) (1) ·
Oheler (2004) (1) ·
Peukert (2016) (1) ·
Powell (1990) (1) ·
Rosati (2016) (1) ·
Throsby and Hollister (2003) (1) ·
Throsby and Mills (1989) (1) ·
Throsby and Thompson (1994) (1) ·
Throsby and Zednik (2010) (1) ·
Tushnet (2004) (1) ·
Tworek and Buschow (2016) (1) ·
Van Eechoud (2017) (1) ·
Van Eechoud and Guiabult (2016) (1) ·
Van Eechoud et al. (2009) (1) ·
Xalabarder (2014) (2) ·
Zalabarder (2016) (1)
K42: Illegal Behavior and the Enforcement of Law (3) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (2) ·
L82: Entertainment • Media (1) ·
O34: Intellectual Property and Intellectual Capital (10) ·
O38: Government Policy (4) ·
Z11: Economics of the Arts and Literature (1) ·
Z13: Economic Sociology • Economic Anthropology • Social and Economic Stratification (1) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (11) ·
None (1)
Case Study (2) ·
Document Research (2) ·
Ethnography (1) ·
Focus Groups (1) ·
Longitudinal Study (1) ·
Qualitative Collection Methods (5) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (4) ·
Quantitative data/text mining (2) ·
Semi-Structured Interview (3) ·
Snowball sampling (1) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (4) ·
Survey Research (quantitative; e.g. sales/income reporting) (3)
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Discourse Analysis (1) ·
Grounded Theory (1) ·
Legal Analysis (4) ·
Qualitative Analysis Methods (5) ·
Qualitative Coding / Sorting (e.g. of interview data) (3) ·
Quantitative Analysis Methods (4) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Textual Content Analysis (1)
1890 - 1964 (1) ·
1998-2004 (1) ·
2004-2005 (2) ·
2005 (1) ·
2016-2017 (1) ·
2017-2018 (1) ·
Data includes an assessment of creative industries in comparison with market trends and competition. Several examples are presented to support economic theory and proposition. (1) ·
March 2017 (1) ·
November 2016 (1)
Australia Council (1) ·
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Comissioned for and sponsored by the National Recording Preservation Board, Library of Congress (1) ·
Economic and Social Research Council (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
European Commission (1) ·
European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs (1) ·
Federation Against Copyright Theft (1) ·
Intellectual Property Office (2) ·
OpenForum Europe (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
WHO (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (6)
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