Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Atkinson Roberts (2004) (1) ·
Cap Gemini (2004) (1) ·
Fauchart and von Hippel (2008) (1) ·
Garner (2005) (1) ·
Gowers (2006) (2) ·
Kettler and Towse (2002) (1) ·
Light (2005) (1) ·
NERA 1999 (1) ·
None Cited (1) ·
Ogbu (2003) (1) ·
Oheler (2004) (1) ·
Oliar and Sprigman (2008) (1) ·
Raustiala and Sprigman (2006) (1) ·
Raustiala and Sprigman (2012) (1) ·
Rosenblatt (2010) (1) ·
Towse (2017) (1) ·
Towse (2020) (1) ·
Tushnet (2004) (1)
F13: Trade Policy • International Trade Organizations (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
L82: Entertainment • Media (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O34: Intellectual Property and Intellectual Capital (7) ·
O38: Government Policy (2) ·
Other (7) ·
None (1)
Case Study (2) ·
Document Research (3) ·
Focus Groups (1) ·
Longitudinal Study (1) ·
Qualitative Collection Methods (2) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (2) ·
Quantitative data/text mining (3) ·
Semi-Structured Interview (2) ·
Snowball sampling (1) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (3)
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Legal Analysis (3) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (3) ·
Quantitative Analysis Methods (1) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Textual Content Analysis (1)
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Comissioned for and sponsored by the National Recording Preservation Board, Library of Congress (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
European Commission (1) ·
Federation Against Copyright Theft (1) ·
House of Commons (1) ·
IPO (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
WHO (1) ·
reCreating Europe - Rethinking digital copyright law for a culturally diverse, accessible, creative Europe (870626) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (3) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (5) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (1)
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