Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Beckles, T. (1) ·
Bertoni, A. (1) ·
Brooks, T. (1) ·
Bryce, J. (1) ·
Commission of the European Communities (1) ·
Erickson, K. (1) ·
Guerrieri, F. (1) ·
Heins, M. (1) ·
Intellectual Property Office (1) ·
Kantar TNS (1) ·
Merz, J. F. (1) ·
Rutter, J. (1) ·
Stobo, V. (1) ·
Throsby, D. (1) ·
Vetulani, A. (1)
Atkinson Roberts (2004) (1) ·
August (2008) (1) ·
Baldia (2013) (1) ·
Borghi, Erickson and Favale (2016) (1) ·
Cap Gemini (2004) (1) ·
Garcia and McCrary (2019) (1) ·
Garner (2005) (1) ·
Gowers (2006) (3) ·
Hargreaves (2011) (1) ·
Hesmondhalgh (2007) (1) ·
Hoorn (2006) (1) ·
Howkins (2001) (1) ·
IFFRO (2007) (1) ·
Intellectual Property Office (2017) (1) ·
Kantar Public (2017) (1) ·
Kettler and Towse (2002) (1) ·
Light (2005) (1) ·
None Cited (1) ·
OECD (2015) (1) ·
Ogbu (2003) (1) ·
Oheler (2004) (1) ·
Smith (1998) (1) ·
Stobo, Patterson, Erickson and Deazley (2018) (1) ·
Throsby and Hollister (2003) (1) ·
Tushnet (2004) (1) ·
Van Gompel (2007) (1) ·
White (2007) (1)
Case Study (2) ·
Document Research (1) ·
Focus Groups (1) ·
Longitudinal Study (1) ·
Qualitative Collection Methods (3) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (3) ·
Quantitative data/text mining (2) ·
Semi-Structured Interview (3) ·
Snowball sampling (1) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (4) ·
Unstructured Interview (1)
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Comissioned for and sponsored by the National Recording Preservation Board, Library of Congress (1) ·
EU Commission (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
European Commission (2) ·
Federation Against Copyright Theft (1) ·
Heritage Plus (1) ·
Innovation, Science and Economic Development Canada (1) ·
Intellectual Property Office (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
WHO (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (4) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Creative, arts and entertainment (2) ·
Cultural education (3) ·
Film and motion pictures (3) ·
Libraries, archives, museums and other cultural activities (2) ·
Publishing of books, periodicals and other publishing (3) ·
Software publishing (2) ·
Sound recording and music publishing (5) ·
Specialised design (1) ·
Television programmes (2)
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