Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Adelstein, R. P. (1) ·
Bently, L. (1) ·
Centre for Intellectual Property and Information Law (1) ·
Dudenbostel, T. (1) ·
Frosio, G. F. (1) ·
Gowers, A. (1) ·
IP Crime Group (2) ·
Kretschmer, M. (1) ·
Miceli, T. J. (1) ·
Moreno, M. (1) ·
Petetskaya, K. (1) ·
Radauer, A. (1) ·
Throsby, D. (1) ·
Van Eechoud, M. (1)
Boldrin & Levine (2005) (1) ·
Brooks (2005) (2) ·
Centre for Intellectual Property and Information Law (2006) (1) ·
Committee for the Individual Artists’ Inquiry (1983) (1) ·
Hargreaves (2011) (1) ·
Heald (2006) (1) ·
IP Crime Annual Report (2012-2013) (2) ·
IP Crime Annual Report (2013-2014) (2) ·
IP Crime Annual Report (2014-2015) (2) ·
IP Crime Annual Report (2015-2016) (2) ·
IP Crime Annual Report (2015-2017) (1) ·
Landes and Posner (1989) (2) ·
Nimmer (2003) (1) ·
Novos and Waldman (1984) (1) ·
Peukert (2016) (1) ·
PwC (2006) (1) ·
Rob and Waldfolgel (2004) (1) ·
Rosati (2016) (1) ·
Throsby and Hollister (2003) (1) ·
Throsby and Mills (1989) (1) ·
Throsby and Thompson (1994) (1) ·
Throsby and Zednik (2010) (1) ·
Tworek and Buschow (2016) (1) ·
Van Eechoud (2017) (1) ·
Van Eechoud and Guiabult (2016) (1) ·
Van Eechoud et al. (2009) (1) ·
Xalabarder (2014) (2) ·
Zalabarder (2016) (1)
Case Study (1) ·
Document Research (1) ·
Qualitative Collection Methods (5) ·
Quantitative Collection Methods (4) ·
Semi-Structured Interview (1) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (1) ·
Survey Research (quantitative; e.g. sales/income reporting) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (7) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (5) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Computer programming (1) ·
Creative, arts and entertainment (5) ·
Cultural education (1) ·
Film and motion pictures (4) ·
Photographic activities (1) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (7) ·
Software publishing (4) ·
Sound recording and music publishing (5) ·
Specialised design (1) ·
Television programmes (3) ·
Translation and interpretation (1)
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