Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1984 or
2015
& Government or policy study:
Yes
& Data industry:
Creative, arts and entertainment
Click on one or more items below to narrow your results.
BOP (2010) (1) ·
Bently and Byron (2014) (1) ·
Buccafusco and Heald (2012) (1) ·
Creswell (2012) (1) ·
De Dios Montoro Pons and Cuadrado Garcia (2008) (1) ·
Deazley and Stobo (2013) (1) ·
Dobusch and Quack (2012) (1) ·
Gowers (2006) (2) ·
Hargreaves (2011) (2) ·
Harris Interactive (2014) (1) ·
Heald (2013) (1) ·
IFPI (2014) (1) ·
IP Crime Annual Report (2012-2013) (1) ·
IP Crime Annual Report (2013-2014) (1) ·
IP Crime Annual Report (2014-2015) (1) ·
Intellectual Property Office (2015a) (1) ·
Law Commission (2015) (1) ·
Ofcom Kantar survey (1) ·
Rushton (1998) (1)
A1: General Economics (1) ·
K42: Illegal Behavior and the Enforcement of Law (3) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (1) ·
L17: Open Source Products and Markets (1) ·
L1: Market Structure; Firm Strategy; and Market Performance (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (4) ·
O38: Government Policy (4) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Other (7)
Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Artists’ Collecting Society (1) ·
Big Innovation Centre (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Literature review (1) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Newspaper Licensing Association (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
Trading Standards (1) ·
UK Interactive Entertainment (1) ·
UK Music (1)
Case Study (3) ·
Document Research (1) ·
Longitudinal Study (1) ·
Qualitative Collection Methods (5) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (5) ·
Semi-Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (5) ·
Survey Research (quantitative; e.g. sales/income reporting) (3) ·
Unstructured Interview (1)
Cluster analysis (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (2) ·
Discourse Analysis (1) ·
Legal Analysis (1) ·
Qualitative Analysis Methods (4) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (3) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Textual Content Analysis (2)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (2) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (5)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (6)
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