Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1985 or
1989 or
2005 or
2008 or
2009
& Data collection method :
Historical Methods or
Quantitative data/text mining or
Survey Research (quantitative; e.g. sales/income reporting)
& Country:
United Kingdom
Click on one or more items below to narrow your results.
Bahanovich and Collopy (2008) (1) ·
Deazley (2004) (1) ·
EIFL (2013) (1) ·
Garnett (2006) (1) ·
Guibault et al (2007) (1) ·
Hargreaves (2011) (1) ·
Landes and Posner (1989) (1) ·
Lindenbaum (1995) (1) ·
None Cited (1) ·
Pollock (2007) (1) ·
Rose (1993) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Vuopala (2010) (1) ·
Watt (2010) (1)
D23: Organizational Behavior • Transaction Costs • Property Rights (1) ·
D2: Production and Organizations (1) ·
D86: Economics of Contract: Theory (1) ·
D8: Information; Knowledge; and Uncertainty (1) ·
D: Microeconomics (1) ·
K42: Illegal Behavior and the Enforcement of Law (3) ·
L10: General (1) ·
L1: Market Structure; Firm Strategy; and Market Performance (1) ·
L82: Entertainment • Media (1) ·
L86: Information and Internet Services • Computer Software (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (4) ·
O38: Government Policy (2) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (6)
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (2) ·
Legal Analysis (3) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (3) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Textual Content Analysis (2)
Arts and Humanities Research Council (1) ·
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
Federation Against Copyright Theft (1) ·
JISC (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
The financial support for this project was given by the Leverholm Trust and the Herchel Smith Intellectual Property Research Fund, Emmanuel College, University of Cambridge (1) ·
UK Music (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Creative, arts and entertainment (2) ·
Cultural education (1) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (1) ·
Publishing of books, periodicals and other publishing (4) ·
Software publishing (1) ·
Sound recording and music publishing (4) ·
Specialised design (1) ·
Television programmes (1)
Showing below up to 6 results in range #1 to #6.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)