Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1985 or
1989 or
2005 or
2008 or
2009
& Data collection method :
Historical Methods or
Quantitative data/text mining or
Survey Research (quantitative; e.g. sales/income reporting)
& Data analysis method:
Legal Analysis
Click on one or more items below to narrow your results.
Astle and Muir (2002) (1) ·
Coombe (2003) (1) ·
Corbett (2011) (1) ·
Cotropia and Gibson (2014) (1) ·
Deazley (2004) (1) ·
EIFL (2013) (1) ·
Garnett (2006) (1) ·
Gowers (2006) (1) ·
Guibault et al (2007) (1) ·
Hargreaves (2011) (1) ·
Houston and Gassenheimer (1987) (1) ·
Huang (2005) (1) ·
Lindenbaum (1995) (1) ·
Madden and Lenhart (2003) (1) ·
Rose (1993) (1) ·
Stobo, Deazley and Anderson (2013) (2) ·
Taylor (2002) (1) ·
Terranova (2002) (1) ·
Vuopala (2010) (2)
D23: Organizational Behavior • Transaction Costs • Property Rights (1) ·
D2: Production and Organizations (1) ·
D86: Economics of Contract: Theory (1) ·
D8: Information; Knowledge; and Uncertainty (1) ·
D: Microeconomics (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
L82: Entertainment • Media (2) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (4) ·
O34: Intellectual Property and Intellectual Capital (6) ·
O38: Government Policy (4) ·
Other (7) ·
None (1)
Arts and Humanities Research Council (1) ·
Comissioned for and sponsored by the National Recording Preservation Board, Library of Congress (1) ·
JISC (1) ·
None (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
The financial support for this project was given by the Leverholm Trust and the Herchel Smith Intellectual Property Research Fund, Emmanuel College, University of Cambridge (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (4) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Creative, arts and entertainment (3) ·
Cultural education (2) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (4) ·
Sound recording and music publishing (4) ·
Video game publishing (1)
Showing below up to 8 results in range #1 to #8.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)