Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1985 or
1998 or
2005 or
2008 or
2021
& Data collection method :
Participant Observation or
Quantitative data/text mining or
Survey Research (quantitative; e.g. sales/income reporting)
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
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Allen (1983) (1) ·
Astle and Muir (2002) (1) ·
Bernstein (1992) (1) ·
Corbett (2011) (1) ·
Cotropia and Gibson (2014) (1) ·
Fiesler and Bruckman (2014) (1) ·
Jacque (2019) (1) ·
Jones (2021) (1) ·
McLeod and DiCola (2011) (1) ·
None Cited (1) ·
Rosamond (2002) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Strandbourg (2008) (1) ·
Trendacosta (2020) (1) ·
Urban, Karaganis and Schofield (2016) (1) ·
Vuopala (2010) (1)
A14: Sociology of Economics (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (1) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Other (5) ·
None (1)
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
Federation Against Copyright Theft (1) ·
None stated (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
This work was partially supported by the Research Council of Norway through its Centres of Excellence scheme, project number 262762, and through the research project MASHED, project number 249817 (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (4)
Creative, arts and entertainment (2) ·
Cultural education (1) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (2) ·
Software publishing (1) ·
Sound recording and music publishing (4) ·
Specialised design (1) ·
Television programmes (1)
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