Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1985 or
2011
& Data analysis method :
Factor Analysis or
Quantitative Analysis Methods
& Data industry:
Creative, arts and entertainment
Click on one or more items below to narrow your results.
Corrado, Goodridge and Haskel (2010) (1) ·
Farooqui, Goodridge and Haskel (2011) (1) ·
Fisher (2001) (1) ·
Frey and Pommerehne (1989) (1) ·
Gowers (2006) (1) ·
Grady (1994) (1) ·
Greenhalgh and Rogers (2010) (1) ·
Handke (2010) (1) ·
Handke and Towse (2007) (1) ·
Hargreaves (2011) (1) ·
Haskel, Clayton and Pesole (2009) (1) ·
Hu (2006) (1) ·
Hunt, Williams, Nicholas and Rowlands (2009) (1) ·
Johnson (2006) (1) ·
Kretschmer and Hardwick (2007) (1) ·
Landes and Posner (2003) (1) ·
Liebowitz and Watt (2006) (1) ·
Png (2006) (1) ·
Towse (2010) (1)
A1: General Economics (1) ·
E01: Measurement and Data on National Income and Product Accounts and Wealth • Environmental Accounts (1) ·
E22: Capital • Investment • Capacity (1) ·
K12: Contract Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (3) ·
O38: Government Policy (1) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
O47: Measurement of Economic Growth • Aggregate Productivity • Cross-Country Output Convergence (1) ·
Other (6) ·
None (1)
Community Innovation Survey (1) ·
Copyright Levies Reform Alliance (1) ·
European Commission (2) ·
NESTA (1) ·
Nokia (1) ·
Office for National Statistics (2) ·
PRS for Music (1) ·
Quantitative-empirical literature based on economic theory (1) ·
Review of Existing Academic and Industries Literature (1) ·
SABIP (1) ·
UK Intellectual Property Office (1) ·
WIPO (1) ·
YOUNISON (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (7) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (4) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
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