Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1986 or
2005 or
2008 or
2013 or
2018
& Data collection method :
Experimental (Natural) or
Participant Observation or
Quantitative data/text mining
& Data unit of assessment:
Individual
Click on one or more items below to narrow your results.
ALCS 2007 (1) ·
Astle and Muir (2002) (1) ·
Atkinson Roberts (2004) (1) ·
Corbett (2011) (1) ·
Fishbein and Ajzen (1980) (1) ·
Garner (2005) (1) ·
Hong 2004 (1) ·
Kettler and Towse (2002) (1) ·
Liebowitz (2004) (1) ·
Light (2005) (1) ·
Michel (2005) (1) ·
Oberholzer-Gee and Strumpf (2007) (1) ·
Oheler (2004) (1) ·
Rob and Waldfogel (2006) (1) ·
Soboleva (2003) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Vuopala (2010) (1) ·
Zentner (2005) (1) ·
Zentner (2006) (1)
C01: Econometrics (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
L5: Regulation and Industrial Policy (1) ·
L82: Entertainment • Media (3) ·
L8: Industry Studies: Services (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (3) ·
O38: Government Policy (1) ·
Other (4) ·
None (2)
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (2) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (1) ·
Legal Analysis (1) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (2) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Regression Analysis (2) ·
Textual Content Analysis (2)
Authors’ Licensing & Collecting Society (ALCS) (1) ·
None (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
WHO (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (2) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
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