Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1989 or
2005 or
2008 or
2013
& Data collection method :
Document Research or
Quantitative data/text mining or
Semi-Structured Interview or
Other
& Country:
India
Click on one or more items below to narrow your results.
Banerjee, D. (1) ·
Banerjee, T. (1) ·
Favale, M. (1) ·
Hansen, D. R. (1) ·
Hinze, G. (1) ·
Homberg, F. (1) ·
Kretschmer, M. (1) ·
Latonero, M. (1) ·
Mendis, D. (1) ·
Public and Corporate Economic Consultants (1) ·
Raychaudhuri, A. (1) ·
Secchi, D. (1) ·
Sinnreich, A. (1) ·
Troll Covey, D. (1) ·
Urban, J. M. (1)
Aufderheide and Jaszi (2011) (1) ·
Besen and Kirby (1989) (1) ·
Carroll (2004) (1) ·
De Beer and Bouchard (2010) (1) ·
Gowers (2006) (1) ·
Hargreaves (2011) (1) ·
Landes and Posner (1989) (1) ·
Lesk (2004) (1) ·
Parker and Scotchmer (2005) (1) ·
Takeyama (1994) (1) ·
US Register of Copyrights (2006) (1)
K41: Litigation Process (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K: Law and Economics (1) ·
L11: Production; Pricing; and Market Structure • Size Distribution of Firms (1) ·
L82: Entertainment • Media (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (3) ·
O57: Comparative Studies of Countries (1) ·
Other (6)
Cluster analysis (1) ·
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (2) ·
Legal Analysis (2) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (3) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (3) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Regression Analysis (1) ·
Textual Content Analysis (2)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (4) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Creative, arts and entertainment (2) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (4) ·
Software publishing (1) ·
Sound recording and music publishing (2) ·
Television programmes (1)
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