Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1989 or
2005 or
2008 or
2013
& Data collection method :
Document Research or
Quantitative data/text mining or
Semi-Structured Interview or
Other
& Data industry:
Cultural education
Click on one or more items below to narrow your results.
Astle and Muir (2002) (1) ·
August (2008) (1) ·
Benkler (2013) (1) ·
Clair et al (1999) (1) ·
Corbett (2011) (1) ·
Crowston et al. (2012) (1) ·
Dryden (2008) (1) ·
Gowers (2006) (1) ·
Hansen (2012) (1) ·
Hesmondhalgh (2007) (1) ·
Hoorn (2006) (1) ·
Howkins (2001) (1) ·
IFFRO (2007) (1) ·
Smith (1998) (1) ·
Stobo, Deazley and Anderson (2013) (2) ·
Throsby and Hollister (2003) (1) ·
Van Gompel (2007) (1) ·
Vuopala (2010) (1) ·
White (2007) (1)
A13: Relation of Economics to Social Values (1) ·
A14: Sociology of Economics (1) ·
K39: Other (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (4) ·
O34: Intellectual Property and Intellectual Capital (4) ·
O38: Government Policy (4) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Z18: Public Policy (1) ·
Other (7)
Descriptive statistics (counting; means reporting; cross-tabulation) (1) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (1) ·
Grounded Theory (1) ·
Legal Analysis (2) ·
Qualitative Analysis Methods (7) ·
Qualitative Coding / Sorting (e.g. of interview data) (3) ·
Quantitative Analysis Methods (3) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Textual Content Analysis (3)
European Commission (1) ·
Not stated (1) ·
RCUK Funded Centre for Copyright and New Business Models in the Creative Economy (CREATe) (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (1)
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (5) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3)
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