Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Bandinelli, C. (1) ·
Bruckman, A. (1) ·
Calzada, J. (1) ·
Danbury, R. (1) ·
Deazley, R. (1) ·
Deloitte (1) ·
Durham, Y. (1) ·
Favale, M. (1) ·
Fiesler, C. (1) ·
Fleming, P. (1) ·
Gil, J. (1) ·
Graham, R. (1) ·
Hirshleifer, J. (1) ·
Karaganis, J. (1) ·
Kretschmer, M. (1) ·
Lampe, C. (1) ·
MacNeill, K. (1) ·
McRobbie, A. (1) ·
Parravano, M. (1) ·
PricewaterhouseCoopers (1) ·
Schofield, B. L. (1) ·
Smith, M. D. (1) ·
Smith, V. L. (1) ·
Springer, B. (1) ·
Strutt, D. (1) ·
Telang, R. (1) ·
Torremans, P. C. (1) ·
Urban, J. M. (1) ·
Wallace, A. (1) ·
Zizzo, D. J. (1)
Australian Law Reform Commission (2013) (1) ·
Bakos, Marotta-Wurlger and Trossen (2009) (1) ·
Barker (2013b) (1) ·
Beck (2012) (1) ·
Becker (1968) (1) ·
Bengoetxea (1993) (1) ·
Bryce and Rutter (2008) (1) ·
Cvetkovski (2014) (1) ·
Danaher and Waldfogel (2011) (1) ·
Hirshleifer (1991 (1) ·
Jaszi (2010) (1) ·
Leaver (2008) (1) ·
Lehmann and Weinberg (2000) (1) ·
Lobato (2011) (1) ·
Ma, Montgomery, Smith and Singh (2014) (1) ·
Ma, Montgomery and Smith (2015) (1) ·
Malossi (2002) (1) ·
McCormick and Summers (1991) (1) ·
PricewaterhouseCoopers (2015) (1) ·
Reidenberg, Breaux, Cranor et al. (2015) (1) ·
Rogers and Szamosszegi (2010) (1) ·
Schesinger et al (2015) (1) ·
Tsai, Cranor, Egelman and Acquisti (2010) (1) ·
Watson, Zizzo and Fleming (2015) (1)
K0: General (2) ·
K11: Property Law (2) ·
K12: Contract Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (3) ·
L1: Market Structure; Firm Strategy; and Market Performance (1) ·
L82: Entertainment • Media (3) ·
L86: Information and Internet Services • Computer Software (1) ·
L8: Industry Studies: Services (1) ·
M2: Business Economics (1) ·
M31: Marketing (1) ·
O30: General (2) ·
O34: Intellectual Property and Intellectual Capital (10) ·
O38: Government Policy (1) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (3) ·
Other (14)
Case Study (3) ·
Experimental (Laboratory) (2) ·
Experimental (Natural) (1) ·
Focus Groups (1) ·
Participant Observation (2) ·
Qualitative Collection Methods (4) ·
Qualitative content/text mining (3) ·
Quantitative Collection Methods (5) ·
Quantitative data/text mining (4) ·
Semi-Structured Interview (4) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (3) ·
Web analytic (online user trace data) (4)
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (3) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (1) ·
Legal Analysis (2) ·
Qualitative Analysis Methods (4) ·
Qualitative Coding / Sorting (e.g. of interview data) (6) ·
Quantitative Analysis Methods (6) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Regression Analysis (3) ·
Textual Content Analysis (2)
Arts and Humanities Research Council (1) ·
CREATe (1) ·
CREATe, AHRC Grant Number AH/K000179/1 (1) ·
Google (2) ·
Motion Picture Association of America (1) ·
Not Stated (1) ·
RCUK/CREATe (1) ·
Sloan Foundation (1) ·
This Report was prepared for APRA AMCOS, PPCA, Copyright Agency│Viscopy, Foxtel, News Corp Australia and Screenrights. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (8) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (8)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (5) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (4) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (5) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (5)
Creative, arts and entertainment (5) ·
Cultural education (1) ·
Film and motion pictures (5) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (2) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (5) ·
Software publishing (1) ·
Sound recording and music publishing (3) ·
Television programmes (1)
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