Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Discipline:
Data Type:
Secondary Data Source:
Data collection method:
Case Study (8) ·
Document Research (9) ·
Ethnography (1) ·
Experimental (Field) (3) ·
Experimental (Laboratory) (2) ·
Focus Groups (2) ·
Historical Methods (1) ·
Participant Observation (2) ·
Qualitative Collection Methods (24) ·
Qualitative content/text mining (8) ·
Quantitative Collection Methods (24) ·
Quantitative data/text mining (15) ·
Semi-Structured Interview (6) ·
Snowball sampling (1) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (14) ·
Survey Research (quantitative; e.g. sales/income reporting) (26) ·
Web analytic (online user trace data) (7)
Data analysis method:
Cluster analysis (3) ·
Confirmatory Factor Analysis (CFA) (3) ·
Correlation and Association (16) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (26) ·
Discourse Analysis (4) ·
Ethnographic/narrative analysis (1) ·
Factor Analysis (3) ·
Grounded Theory (2) ·
Legal Analysis (6) ·
Multivariate Statistics (10) ·
Qualitative Analysis Methods (17) ·
Qualitative Coding / Sorting (e.g. of interview data) (11) ·
Quantitative Analysis Methods (28) ·
Quantitative content analysis (e.g. text or data mining) (10) ·
Regression Analysis (21) ·
Structural Equation Modeling (9) ·
Textual Content Analysis (10) ·
Visual / Other Content Analysis (2)
Country:
Australia (4) ·
Bangladesh (1) ·
Brazil (1) ·
Canada (3) ·
China (1) ·
EU (1) ·
European Union (4) ·
France (3) ·
Germany (2) ·
Ghana (1) ·
Global (9) ·
India (1) ·
Israel (1) ·
Netherlands (1) ·
Nigeria (1) ·
Portugal (1) ·
Taiwan (5) ·
UK (1) ·
United Kingdom (3) ·
United States (31) ·
Worldwide (1)
Time period of data collection:
Funder:
Arts and Humanities Research Council (1) ·
Australian Copyright Council (1) ·
Australian Government (1) ·
Australian Research Council (FT170100011) (1) ·
Center for Empirical Studies of IP (1) ·
Center for the Analysis of Property Rights and Innovation (CAPRI) (1) ·
Coke-Cola Center for Marketing Studies at the University of Georgia (1) ·
Congressional Research Service (1) ·
Digital Media Research Centre at the Queensland University of Technology (1) ·
European Commission (1) ·
Horizon 2020 Grant Agreement No. 870626 (1) ·
House of Commons (1) ·
Information and Operations Management Department, Mays Business School, Texas A & M University (1) ·
Institute for Research in Marketing, Carlson School of Management, University of Minnesota. (1) ·
Marketing Science Institute (MSI, Grant No. 4-1228) (1) ·
NSF of the Bulgarian Ministry of Education, Youth and Science, Contract, DFNI-К01/0002-21.11.2012 (1) ·
National Science Council of Taiwan, R.O.C. (1) ·
National Science Council, Executive Yuan, Taiwan, under Grant Number NSC 93-2416-H-031-002 (1) ·
National Science Council, Taiwan (2) ·
National University of Singapore through the Singapore Ministry of Education Academic Research Fund Tier 1 (1) ·
None (7) ·
None stated (1) ·
Not Stated (1) ·
Not stated (4) ·
Portuguese Science and Technology Foundation (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
The second author has benefited from the visit to the Institute of Innovation Research of Hitotsubashi University, whose generous provision of research opportunity is gratefully acknowledged (1) ·
This work was partially supported by the Research Council of Norway through its Centres of Excellence scheme, project number 262762, and through the research project MASHED, project number 249817 (1) ·
UNC Arts and Humanities Research Grant (1) ·
reCreating Europe - Rethinking digital copyright law for a culturally diverse, accessible, creative Europe (870626) (1)
Fundamental Issues:
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (25) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (11) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (5) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (13) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (45)
Evidence Based Policies:
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (10) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (12) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (6) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (20) ·
E. Fair remuneration (levies; copyright contracts) (7) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (42)
Data sample size:
Data unit of assessment:
Australian copyright industries (1) ·
Case study (2) ·
Chefs (1) ·
College students (1) ·
Company (1) ·
Country (2) ·
Cultural Heritage Institutions (1) ·
Digital heritage practitioners (1) ·
Economic model (1) ·
Federal Judgement Opinions (1) ·
Filmmakers (1) ·
Focus of the study is the domestic market for recorded music in the USA. (1) ·
High school students (1) ·
Hour (1) ·
Individual (16) ·
Individual data (2) ·
Libraries (1) ·
Models for database creation (1) ·
Music sales data (2) ·
Musical compositions (1) ·
News articles (1) ·
Newspaper Articles (1) ·
P2P communication events (1) ·
Software professionals (1) ·
Song (1) ·
Students (2) ·
Submissions (1) ·
Takedown complaints (1) ·
Takedown requests (1) ·
Termination notices (1) ·
Tweets (1) ·
University students (12) ·
Videos (1) ·
Workers (1) ·
case study (1) ·
copyright enforcement models (1) ·
videos (1) ·
years (1)
Data material year:
Data industry:
Computer consultancy (1) ·
Computer programming (1) ·
Creative, arts and entertainment (10) ·
Cultural education (4) ·
Film and motion pictures (16) ·
Libraries, archives, museums and other cultural activities (6) ·
PR and communication (2) ·
Photographic activities (4) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (13) ·
Software publishing (15) ·
Sound recording and music publishing (35) ·
Specialised design (1) ·
Television programmes (7) ·
Video game publishing (1)
Showing below up to 69 results in range #1 to #69.
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A
- Adu and van der Walt (2021)
- Ahn and Yooney (2008)
- Andersen and Frenz (2008)
- Attorney-General's Department (2008)
B
- Banerjee, Banerjee and Raychaudhuri (2008)
- Banks and Humphreys (2008)
- Bar-Ziv (2021)
- Beebe (2008)
- Bhal and Leekha (2008)
- Brøvig-Hanssen and Jones (2021)
- Buccafusco and Garcia (2021)
C
- Chen, Shang and Lin (2008)
- Chiang and Assane (2008)
- Chiu, Hsieh and Wang (2008)
- Cronan and Al-Rafee (2008)
D
- Danna, Martinelli and Nuvolari (2021)
- Deazley (2008)
- Digital, Culture, Media and Sport Committee (2021)
- Dryden (2008)
- Durham, Hirshleifer, Smith (1998)
F
G
- Goles, Jayatilaka, George, Parsons, Chambers, Taylor and Brune (2008)
- Graf-Vlachy, Goyal, Ouardi and König (2021)
- Green (2021)
- Grolleau, Mzoughi and Sutan (2008)
H
- Handke et al. (2021)
- Heald (2008)
- Higgins, Wolfe and Marcum (2008)
- Hinduja (2008)
- Hossain (2021)
- Hsu and Shiue (2008)
- Hsu and Su (2008)
- Humphreys (2008)
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