Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Beisner (2010) (1) ·
De Beer and Bouchard (2010) (1) ·
Froschauer (2008) (1) ·
Gowers (2006) (2) ·
Hargreaves (2011) (4) ·
McCarthy (2013) (1) ·
Nimmer (2013) (1) ·
Ofcom (2011) (1) ·
Perlmutter (1991-1992) (1) ·
Raustiala and Sprigman (2011) (1) ·
Samuelson and Wheatland (2009) (1) ·
Stratton (2011) (1) ·
Towse (2011) (1) ·
US Register of Copyrights (2006) (1) ·
United States Copyright Office (1992) (1) ·
United States Copyright Office (2015) (1)
C80: General (1) ·
K41: Litigation Process (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K: Law and Economics (1) ·
L82: Entertainment • Media (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (6) ·
O38: Government Policy (4) ·
O57: Comparative Studies of Countries (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (6) ·
None (1)
Case Study (1) ·
Document Research (3) ·
Focus Groups (2) ·
Qualitative Collection Methods (2) ·
Quantitative Collection Methods (1) ·
Quantitative data/text mining (1) ·
Semi-Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (5) ·
Survey Research (quantitative; e.g. sales/income reporting) (1)
Descriptive statistics (counting; means reporting; cross-tabulation) (2) ·
Legal Analysis (5) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (2) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Textual Content Analysis (4)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (2) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (1) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
Creative, arts and entertainment (4) ·
Film and motion pictures (3) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (4) ·
Software publishing (3) ·
Sound recording and music publishing (4) ·
Television programmes (3)
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